Tag Archives: The Salon

ENJOY WOMEN AT WORK

Julia Bebenek

Julia Bebenek with Lijuka at The Jazzlab in December 2017.

PREVIEW:

Melbourne Women’s International Jazz Festival 2018

It’s time to once again do what we ought to be doing all year — celebrating the importance and contribution of women in the valuable work of making music, especially jazz. Melbourne and Sydney have excellent festivals to help us enjoy the work of women composers and improvisers, so let’s support these gigs.

I was unable to make the first two performances at this year’s MWIJF, which was a pity. But here is a rundown of what’s on from now until closing night on 9 December.

This is a small festival, yet there is nevertheless a clash (no festival is ever without one). So on Friday 7 December you’ll have to choose between Sandy Evans at The Salon and Kon Shes a little later at The Jazzlab.

I’m particularly looking forward to hearing Lijuka, the trio that won last year’s MWIJF recording prize. They’re playing in a double bill with Girls Do Jazz on 9 December.

All these gigs are reasonably priced so take the opportunity to hear great musicians at work.

ROGER MITCHELL

Now here’s what’s on:

Tuesday 4 December, 7pm, The Jazzlab, $20/15
Student Night

Young musicians from Mac.Robertson Girls High School, Ruyton Girls School and Siena College play traditional and contemporary big band music.

Wednesday 5 December, 8pm, The Jazzlab, $20/15
Double Bill:
Merinda Dias-Jayasinha Trio (Qld)

Vocalist Merinda Dias-Jayasinha joined by Theo Carbo (guitar) and Isaac Gunnoo (double bass) presents a set of original music (plus a standard or two) exploring streams of consciousness, and the states between reality and dreams.

Claire Cross – Moving Targets

Composer/bassist Claire Cross is joined by Tom Noonan alto saxophone, Harry Cook keys and Tommy Harrison drums to present Moving Targets, a project that explores stress, love, lust and loss through lyrical and unpredictable compositions. Blending folk idioms with contemporary jazz harmony the compositions will explore the transient nature of feelings.

Thursday 6 December 8pm, The Jazzlab, $20/15
Jam Jar CD launch

Energetic Melbourne trad jazz band Jam Jar offer an upbeat repertoire of original songs and beloved standards influenced by Louis Armstrong, Duke Ellington and local bands The Red Onion Band and The Hoodangers. Their self-titled debut album is a lighthearted commentary on the apathy and anxieties of modern life and a yearning for a romanticised past. Expect toe-tapping tunes.

Jam Jar is Ellie Lamb trombone/vocals, Lauren Mullarvey clarinet/vocals, Bryce Turcato horn/vocals, Fiona Steele banjo, Tom Young double bass and Sean Newell drums

Friday 7 December 7pm, The Salon, Melbourne Recital Centre, $30/25
Sandy Evans – Heart Rhythm Love (Syd/Melb)

Co-presented by the Melbourne Jazz Co-operative, the world premiere of Heart|Rhythm|Love will take the listener on a beautiful, thrilling and dynamic journey, seamlessly interweaving influences from Indian music and jazz in a joyous celebration.

The composer of this work, written and performed in honour of mridangam virtuoso Guru Kaaraikudi Mani, is Sandy Evans on saxophones. She is joined by Tripataka (Adrian Sherriff bass trombone, Jonathan Dimond electric bass guitar, Adam King drums) and Sai‐Sarangan Ravichandhira on mridangam.

Friday 7 December 8pm, The Jazzlab, $30/25
World premiere of Kon Shes (Aus/Sth Africa/Korea)

Fem Belling (vocals & electric violin) brings five of Melbourne’s finest musicians – Mina Yu piano, Tamara Murphy bass, Chelsea Allen drums and Angela Davis alto saxophone – to a new project combining live performance, political prose and the primal magic of music. The performance aims to increase the visibility of women in music in Australia and contribute to a larger voice of a social consciousness.

Saturday 8 December 8pm, The Jazzlab, $30/25
Harriett Allcroft CD launch – “Archie”

Harriett Allcroft (voice) launches her debut album Archie. It was recorded with James Bowers (piano), Tamara Murphy (bass), Kieran Rafferty (drums) and Shaun Rammers (tenor saxophone) this year, but Sam Keevers will be at the keyboard for this outing.

Expect infectious grooves and clever lyrics that make the brain tick.

Saturday 8 December 8, The Jazzlab, 11pm free entry
Festival Club – Jam session and general hang
This is a chance for female and non-binary musicians and vocalists to play in the jam session, or just plain hang out and connect with other musicians. In house PA, piano, bass amp, guitar amp and kit provided. All artforms welcome – jazz, trad, pop, funk, contemporary.

Sunday 9 December 3.30pm, The Jazzlab, free entry
Girls Do Jazz Secondary Program Concert

This concert showcases the work of The Girls Do Jazz workshop series, led by Andrea Keller, ran monthly over five Sundays in semester 2, 2018. Along with MCM alumni tutors, and undergraduate volunteers, the students engaged in jazz and improvisation studies covering free improvisation, the American songbook and compositions by contemporary Australian jazz musicians. This free concert showcases what they’ve been up to!

Lijuka: Katrina Owen, Libby Ferris and Julia Bebenek

Lijuka: Katrina Owen, Libby Ferris and Julia Bebenek

Sunday 9 December 7pm, The Jazzlab, $20/15
Double Bill:
Lijuka launch their debut single Registaan

Don’t miss the winners of the 2017 MWIJF Recording Prize, Lijuka. This band featuring Katrina Owen on saxophone and vocals, Libby Ferris on guitar and vocals, and Julia Bebenek on drum kit/vocals, returns to The Jazzlab to play original songs featuring acoustic and electronic sounds combined with live-looping. The gig will feature songs from their recent audio-visual work ‘Macro/Microcosm’ which debuted at the Melbourne Fringe Festival. Lijuka would like to thank Myles Mumford (Rolling Stock Recording Rooms), and MWIJF for making this event possible.

Kathleen Halloran with Girls Do Jazz at the MWIJF 2017

Kathleen Halloran with Girls Do Jazz at the MWIJF 2017

Girls Do Jazz VCA
Girls Do Jazz is a jazz ensemble comprised of current Jazz & Improvisation students at the Victorian College of the Arts. The ensemble is led by Andrea Keller, Lecturer in Jazz & Improvisation at the VCA/MCM. From varied musical backgrounds, the members of Girls Do Jazz unite in celebration of female musicianship, with an emphasis on Australian contemporary jazz repertoire.

The line-up is Bella Winter on alto/soprano saxophones, Jade Nye on alto saxophone, Steph Fels on trombone, Alex Rindfleish on piano, Ross Anderson on bass and Ollie Cox on drums.

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ENSEMBLE MEETS ALL EXPECTATIONS

Kennedy Snow

Nina Ferro performs with Kennedy Snow and string quartet at The Salon.      Image supplied.

REVIEW

Everything It Could Be, Kennedy Snow joins Nina Ferro and a string quartet, 7pm Friday 9 March 2018, The Salon, Melbourne Recital Centre.

Melbourne drummer and composer Sonja Horbelt took great care with the line-up for this outing with vocalist Nina Ferro, ensuring that it was, in the words of the final piece played, Everything It Could Be.

Acclaimed R&B and jazz vocalist Ferro joined Kennedy Snow — Horbelt on drum kit,  pianist Bob Sedergreen, saxophonist Kellie Santin and bassist Kim May — along with  Steve Sedergreen on keys, Janine Maunder on backing vocals and percussion, and string players Atilla Kuti violin, Lisa Reynolds violin, Lauren Segal viola and Karoline Kuti cello. It proved to be a formidable combination.

The power of Ferro’s voice in this acoustically superb space meant we did not need convincing that, as she sang “This is the place I want to be” in the opening song, Sunshine, she meant it.

The ballad Last Days of 33 ushered in the lush, full sound of the string quartet, embroidered for a time by piano and followed later by a duo of bass and piano. Again Ferro demonstrated we were hearing a big voice in a small space, with agility and strong vibrato. “Maybe it’s awesome, how things used to be,” she sang, making us think they still were.

The foot-tapping I’ve Made Up My Mind demonstrated the good vibe in this ensemble, Bob Sedergreen looking on with obvious enjoyment as Santin made brief forays and the strings added body as they seemed to carry both vocalists on a cinemascopic journey.

In Follow, title track of Kennedy Snow’s album, Ferro’s invitation “Can I tell you a story my friend, let me reveal what I know” was delivered with ease, the words clearly articulated and expressive. There were more sweeping vistas from the strings, subtle and beautiful sax, and punchy piano gleefully injected.

The string quartet played a different role in Another Time, their contribution stronger yet more sparse. Solos from Steve Sedergreen and Santin could have been longer, I thought, and the drums a tad less strong from where I was sitting, but this was a nice piece.

There were no strings in A Different Life. “Just imagine a new way forward,” Ferro sang to the faster tempo, Horbelt’s drums firing up and going for it with Steve Sedergreen underpinning powerful work by Santin on alto and May on bass interacting with Ferro in a vibrant, energetic finish.

A new tune, appropriately named Like All Things New, began with sombre piano as Ferro sang, “There’s a change has to happen for this life to go further, all seems so simple at first …” This was a beautiful ballad, quieter and yet with an intensity that made applause for Santin’s alto sax solo seem intrusive.

Ferro’s vocals in Intuition were delivered with dynamic variation and free-flowing power, calling to mind the drama of vocalist Jeannie Lewis. A musing, meandering solo by Santin preceded a building of intensity towards a tight finish.

The appreciative audience applauded wildly after the final Everything It Could Be, an upbeat piece with a strong beat and appealing melody. No one needed convincing that Nina Ferro, Kennedy Snow and the string quartet had indeed delivered a performance that was everything it could be.

ROGER MITCHELL

LIVE A LITTLE WITH LIVE MUSIC

Ben Winkelman Trio

Ben Winkelman Trio: Eric Doob, Ben and Sam Anning.        Image: Robert Carlo

PREVIEWS

Ben Winkelman Trio, The Salon, MRC, Melbourne, 11 March 2016 at 7pm

winkelman-front-cover_300x

It began in Perth, jumped to Portland and tonight the Ben Winkelman Trio National Tour 2016 arrives at Melbourne Recital Centre for a Melbourne Jazz Co-operative gig at 7pm.

The tour, which takes in eight other cities after tonight, will launch the pianist / composer’s fourth album, The Knife, released in Australia this month on Jazzhead. Ben Vanderwal will be at the drum kit for the tour, replacing Eric Doob. Sam Anning, recently returned from a long stint in New York, is on acoustic bass.

The album’s 13 Winkelman originals, recorded at Sear Sound in New York, were inspired by the highs and lows of adjusting to life in that city and reflect the composer’s interests in Cuban, Brazilian and gospel music, “odd meter claves and through-composed miniatures”.

A Melburnian who has been living in New York since 2010, Winkelman has an impressive discography — Odysseys was a 2010 AIR Award nominee for Best Independent Jazz Release, The Spanish Tinge won the 2007 AIR Award in that category and Stomps, Pieces & Variations was nominated in the 2006 Australian Jazz bell Awards.

Click here to book $30 & $25 concessions.

Moreland City Band

Scott Tinkler at the helm of Moreland City Band.

Fleming Park Festival, 11am – 6pm on Sunday 13 March 2016, corner Albert and Cross streets, East Brunswick

Fleming Park is the place to be on Sunday as the Moreland City Band presents a day of live music, plus an African drumming workshop with Ray Pereira and the chance to try out in lacrosse sessions with Moreland Lacrosse Club.

The music on offer includes The Immortal Horns, Andrew Murray’s ATM15, Big Band Frequency, Moreland City Bands, JC Little Big Band, Beyond the Bathroom Choir.

There will be food stalls, a barbecue, a licensed bar, cakes and activities for kids.

This is a free community event supported by Moreland City Council, Moreland Lacrosse Club and Andra Jackson.

ROGER MITCHELL