Tag Archives: The Salon

A BOOST TO AUSTRALIAN EXPORTS?

Students from The Sir Zelman Cowen School of Music at Monash University

Sir Zelman Cowen School of Music students from Monash University perform the music of Charles Lloyd.

PICTORIAL UPDATE: Melbourne International Jazz Festival, Saturday 31 May, 2014 at The Salon, Melbourne Recital Centre

Festivals are about more than just providing a feast of music. Through masterclasses and conversation sessions they perform an educative role — for lovers of music and students taking the rocky road to becoming working musicians.

Over recent years it has been hard to keep count of how many young Australian jazz musicians have moved to New York City or to cities in Europe to study and gain experience. Many return only on visits. It’s fair to say these musicians are a significant export.

At The Salon yesterday evening as part of Explorations in Jazz, three groups of Monash University students from the Sir Zelman Cowen School of Music had a chance to show what they had learned in some intensive one-hour sessions with visiting jazz greats Charles Lloyd, Reuben Rogers and Eric Harland.

Michael Tortoni at The Salon, Melbourne Recital Centre

Michael Tortoni at The Salon, Melbourne Recital Centre

Melbourne International Jazz Festival artistic director Michael Tortoni opened proceedings and had a chance to hear the result before heading to the Reverence Hotel in Footscray, where the Horns of Leroy were performing as part the MIJF’s first foray out in Melbourne’s western suburbs.

Rob Burke

Rob Burke

Associate Professor Rob Burke then introduced Charles Lloyd, who spoke briefly about the time he, Rogers and Harland had spent with the students and about jazz as “music of freedom and wonder”.

Then each group played two Lloyd tunes — Fish Out of Water, Blow Wind, Little Peace, Passing Through, Sweet Georgia Bright and Forest Flower.

Students from The Sir Zelman Cowen School of Music at Monash University

Reuben Rogers introduces students from Monash University

Group 2 had the advantage of being joined by Rogers and Harland, which really provided a solid foundation and kept things moving.

Students from The Sir Zelman Cowen School of Music at Monash University

Reuben Rogers enjoys sitting in with students from Monash University

This was a short concert, but its effect will no doubt linger for these young musicians.

Eric Harland hits it off with a student from Monash University

Eric Harland hits it off with a student from Monash University

Audiences of the future will reap the benefits of insights gathered during the learning and the performing by these students, who have had another valued opportunity to work with experienced mentors in improvised music.

ROGER MITCHELL

Students from The Sir Zelman Cowen School of Music at Monash University

Charles Lloyd thanks the students from Monash University

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IF ON A SUMMER EVE AN ENSEMBLE

PREVIEW: Network of Lines album launch, Melbourne Recital Centre’s Salon, 6pm Tuesday 11 February

Tilman Robinson trombone/laptop, Peter Knight trumpet/laptop, Callum G’Froerer trumpet, Erkki Veltheim violin, Judith Hamann cello, Brett Thompson guitar/banjo, Berish Bilander piano, Sam Zerna bass, Hugh Harvey drums. Additional cello Melanie Robinson, additional percussion Joe Talia, Josh Barber and Tilman Robinson

Tilman Robinson

If On a Winter Night a Traveller in December 2012

It’s very late to post about a performance the day before it’s taking place, but tomorrow’s recital in the Salon deserves attention. I’ll be working and can’t be there, but I highly recommend that anyone able to make it to the launch of this album should go.

Network of Lines is Tilman Robinson‘s debut album performed by a nine piece electro-acoustic ensemble of Melbourne musicians. Written in response to the Italo Calvino novel If On a Winter’s Night a Traveller, the piece derives its form from the novel’s distinctive narrative structure.

Tilman Robinson MJFF commission

If On a Winter Night a Traveller May 2012

The work was commissioned by the Melbourne Jazz Fringe Festival and demonstrates again how important that festival’s commissions have been in adding substantial compositions to the Melbourne jazz repertoire. 

Tilman Robinson MJFF commission

If On a Winter Night a Traveller May 2012

As these images record, the work has been performed previously twice — first on 13 May 2012 at Northcote Town Hall as part of the MJFF and second on 4 December the same year in Abbotsford.

Tilman Robinson MJFF commission

If On a Winter Night a Traveller May 2012

On both occasions the performances were intricately constructed and exquisitely executed, demonstrating the talents of the ensemble members and the care Tilman Robinson had taken in constructing the piece.

Tilman Robinson MJFF commission

If On a Winter Night a Traveller May 2012

Xani Kolac was on violin during these outings. Erkki Veltheim is featured on that instrument in the recording.

Tilman Robinson MJFF commission

If On a Winter Night a Traveller May 2012

Tilman Robinson MJFF commission

If On a Winter Night a Traveller May 2012

The work is adventurous, exploring a a range of textures, timbres and effects, including laptop work by Peter Knight and Tilman Robinson.

Tilman Robinson

If On a Winter Night a Traveller December 2012

The moods created are diverse. There are slow, dreamy parts, as well as classical and hymn-like interludes, passages of building tension and sudden, dramatic outbursts.

Tilman Robinson

If On a Winter Night a Traveller December 2012

There are sweeping vistas. There is gradual fragmentation.

Tilman Robinson

If On a Winter Night a Traveller December 2012

There are percussive nibblings, pizzicato incursions and wailing sirens from the strings. Horns — trombone, trumpet and flugelhorn — are resplendent, then muted, then soaring. Notes are bent. Drums break in, break out.

The album closes with Robinson’s arrangement of Sean O’Neill’s composition What Story Down There Awaits Its End? It is a fitting end to the journey.

The Salon at MRC is an ideal room for this album launch. I am sorry to be missing it.

ROGER MITCHELL

Tilman Robinson

If On a Winter Night a Traveller December 2012

Network of Lines will be launched at the Melbourne Recital Centre’s Salon at 6pm on Tuesday 11th February ($30/$25). Tickets are now available through the Recital Centre’s website.

Network of Lines is also available through theListen/Hear Collective.

Miriam Zolin of Extemporé/AustralianJazz.net has posted an interview about this work and its inception.

Melbourne musician Don Jordan has written a review.

HEAR A SONG WRITTEN DURING INTERVAL

Monique diMattina

Monique diMattina                (Image supplied)

CONCERTS PREVIEW: Monique diMattina performs two concerts in one day at Melbourne Recital Centre on Friday 29 November, at 1pm (solo piano) and 8pm (Songs and stomps from New Orleans)

It’s a busy time for Monique diMattina, who is just back from the Ubud Writers and Readers Festival, where she co-presented Singer, Songwriter, Storyteller with long-time collaborators Clare Bowditch and Tommy Spender.

Before that she presented a set at the Cup Eve concert to wind up this year’s Wangaratta Festival of Jazz and Blues.

Soon, diMattina will perform on Thursday, 12 December, as part of the Melbourne Women’s International Jazz Festival at Bennetts Lane Jazz Club.

She has also just begun a fortnightly segment on Lindy Burns evening show on ABC radio’s 774 , writing a song in an hour based on listener requests.

Using this well-honed skill, diMattina will similarly write a song during the interval of her evening concert on Friday, 29 November at MRC, utilising the 30-minute break to write a new piece in response to audience requests in the first half. What a buzz.

But that’s jumping ahead. There will be two diMattina concerts for the day:

1pm in The Salon, MRC, Solo Piano

This lunchtime concert will feature piano miniatures from diMattina’s albums Senses and Sun Signs as she explores her quieter side.

8pm in The Salon, MRC: Songs & Stomps from New Orleans

Joined by an all-star band of jazz and roots musicians, including guitar virtuoso Doug de Vries and R&B sax legend, Paul Williamson, diMattina will dip into her critically acclaimed 2013 release Monique diMattina in New Orleans: Nola’s Ark, which was recorded in New Orleans, with musicians from the bands of Harry Connick Jr and Dr John.

The MRC bills this concert as follows: “The humour, wit and charm of Melbourne pianist/chanteuse Monique diMattina unfolds note by note in this rambunctious collection of songs from her fifth album Nola’s Ark. Following a sell-out debut at Stonnington Jazz, this is a not-to-be missed event that showcases the cream of the Melbourne jazz/roots scene – fusing contemporary themes with a good time New Orleans sensibility.”

Nola’s Ark draws inspiration from traditional jazz, blues and R&B.

For more on Monique, read SHAKEN AND A LITTLE BIT REHEARSED on Ausjazz.

ROGER MITCHELL