Tag Archives: Jazzhead

AN ITALIAN COLLABORATION

Enrico Rava

Enrico Rava                       (Image supplied)

ALBUM LAUNCH:

The Monash Sessions: Enrico Rava, Thursday 30 October at Bennetts Lane Jazz Club in Melbourne

It has become a tradition for Monash University to arrange for its students of improvised music to learn from some of the world’s great jazz musicians, either by having them visit or by taking the students overseass. The results of these working sessions have resulted in significant recordings in The Monash Sessions project — a recording initiative by Associate Professor and Head of School, Robert Burke, and Jazzhead.

Now, before Italy’s trumpet maestro Enrico Rava makes his headline appearance at the Wangaratta Festival of Jazz & Blues, Jazzhead is thrilled to announce the release of the 11-track album The Monash Sessions: Enrico Rava. The album will effectively be launched twice, on Thursday 30 October at Bennetts Lane Jazz Club in Melbourne and on the following evening at Wangaratta. Rava, in Australia for the first time, will be joined by staff and students.

In December last year, 35 jazz students from the Sir Zelman Cowen School of Music travelled to the Monash University Prato Centre in Italy to undertake an intensive three-week performance unit. As part of their study, students were given the opportunity to perform and record with Rava, one of the seminal figures of the European jazz scene.

Rava, an ECM artist, has released over 50 albums during his career, performing alongside greats such as Gil Evans, Cecil Taylor, Joe Henderson, John Abercrombie, Pat Metheny, and Dave Douglas.

The Monash Sessions: Enrico Rava was mixed and mastered at the Sonoria Recording Plant in Prato, Italy, by Andrea Benassai, and produced by Robert Burke and Mirko Guerrini.

It features music faculty members Paul Grabowsky (piano), Rob Burke and Mirko Guerrini (saxophones), Stephen Magnusson (guitar) as well as students Josh Kelly (alto), Paul Cornelius (tenor), Stephen Byth (tenor), pianists Daniel Mougerman and Joel Trigg, bassists Josh Manusama and Hiroki Hoshino, and drummers Rob Mercer, Cameron Sexton and Zeke Ruckman.

Jazzhead describes this album, recorded over two days, as having “a distinct Italian approach”, and being “relaxed but distinctly intense”. “Noted are the beautiful trumpet sound and passionate lyrical lines produced by Rava, conveying potent meaning and harmonic perfection.”

MONASH SESSIONS: ENRICO RAVA – TOUR DATES

Oct 30 Bennetts Lane, Melbourne
Oct 31 WPAC Theatre, Wangaratta Jazz Festival

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LIMINAL — JEX SAARELAHT TRIO

Liminal

CD REVIEW

4 stars

Jazzhead

Liminal opens with a closing. Saarelaht sums up Closing, written for a surgeon to whom he sent the piece, but from whom he never heard back, with the succinct subtitle “having dealt with a point infarct”. I had to look that up, but this piece feels more substantial than the eradication of “a small localised area of dead tissue resulting from failure of blood supply”.

Strength comes to mind. Its engrossing, compelling nature is fitting to open an album of Saarelaht originals that is often robust and — even in its understated parts — retains a certain directness and brawn. The composer regards it as a snapshot of the trio, formed 20 years earlier, in transition.

As in his 2010 quartet album Fiveways, with Niko Schauble on drums, Jonathan Zwartz on bass and Julien Wilson on sax, Saarelaht honours the departed. Five-nineteen is revisited for bassist Stuart Speed, Liminal is for drummer Peter Jones and Ivory Cutlery is for Scottish poet, comic author and songwriter Ivor Cutler. The album notes also mention Gil Askey, who died in April.

Liminal was also a live recording, this time at Bennetts Lane in October 2013 at the Esto-Cubist Jazz Festival and this time with Philip Rex on double bass joining Schauble and Saarelaht, the trio responsible for Fridays, Late.

This is a superb line-up. Rex’s inventive excellence is on display especially in the title track and alone in the opening of Five-nineteen, which develops swing powerful enough to qualify as a form of renewable energy. Trio members demonstrate empathy, yet preserve their independence, but the result is always cohesive.

Then Again, inspired by Andrea Keller‘s take on a Bela Bartok composition, allows Saarelaht room for expansive, yet intricate and light reflections. Splendidly laid back Ivory Cutlery again exhibits delicate finery on the keyboard followed by spacious, strong bass.

The final, and longest, track on an album that seems to end too soon, is Fiveways. It gathers intensity on a slow burn before exemplary stick work by Schauble that understandably draws applause, fades back and then gathers force again as this trio grabs and holds us in thrall until the end.

During a couple of long drives recently in remote Western Australia, Liminal was played repeatedly on the rental car stereo. It was sustaining and kept me from succumbing to sleep on the long, straight roads.

ROGER MITCHELL 

Jex Saarelaht

Jex Saarelaht at the Bennetts Lane launch of Liminal in July 2014

 

QUARTETS MAKE WAVES

Andrea Keller

Andrea Keller                        (Image supplied)

CD LAUNCH: Andrea Keller launches her latest album, Wave Rider, with her quartet and a string quartet at The Salon, Melbourne Recital Centre, 7pm, Wednesday 20 November

Pianist and composer Andrea Keller has taken music composed over the past three years and arranged it to include a string quartet comprising Erkki Veltheim violin, Helen Ayres violin, Matt Laing viola and Zoe Knighton cello.

The launch will, of course, feature Keller’s long-standing quartet with Eugene Ball on trumpet, Ian Whitehurst on tenor sax and Joe Talia on drums and percussion.

The performance will be one hour long, with no interval. Drinks may be brought into the auditorium for this performance. The quartets will perform recent works by Keller, including Meditations on Light (2012) and excerpts from Place (2010).

Wave Rider is released through Jazzhead records (November 20, 2013).

Melbourne Recital Centre Salon is at the corner of Southbank Boulevard and Sturt St, Melbourne
Bookings

Andrea Keller has supplied a track from the album with some video footage taken during its creation: ‘Illuminate’

Keller’s album ‘Family Portraits’ was nominated for an ARIA Award for Best Jazz Album 2013, and nominated as Best Jazz Album 2013 in The Age Music Victoria Genre Awards.

ROGER MITCHELL