Tag Archives: Jazzhead

OUR BEST BIDS TO HELP BERNIE

Bernie McGann

Bernie McGann

GIG: Benefit concert for Bernie McGann, 6.30pm to 9.30pm, Sunday, September 1, 2013, Bennetts Lane Jazz Club, organised by Melbourne Jazz Co-operative

This post is intended to help pass on details already being publicised by the Melbourne Jazz Co-operative, about a benefit concert for revered saxophonist Bernie McGann, who is recovering from illness in Sydney and needs our support. The gig is being held at Bennetts Lane Jazz Club on September 1 in conjunction with a silent auction. The word is that a similar benefit concert in Sydney recently raised about $11,000, so Melbourne has a job ahead if we are to hold out heads high.

BIDDING FOR THE SILENT AUCTION IS NOW LIVE

Bidding is now open for Prizes donated for the Silent Auction in the Bernie McGann Benefit.

Bidding in the silent auction being held in conunction with the Bernie McGann Benefit Concert in Melbourne is now open. To make an online bid, send an email to the MJC at melbournejazzcooperative@gmail.com with the subject “McGann Silent Auction” and your full name, the item number and your bid in the body of the email. Live bids can also be made at the event on Sunday night until 9:30pm. Winners will be notified at the close of the event (if at the venue) and via email on the evening of September 2nd.

ITEM 1:
Melbourne Jazz Festival’s Golden Pass (value $1,000),
– 2 tickets to the Gala Opening
– 2 tickets to a Modern Masters of Jazz
– 2 tickers to a Explorations in Jazz show
– 2 tickets to a Club Session
– Priority entry into The Cave (MIJF late night program)
– Reserved seating at the MIJF Masterclass Series
– Reserved seating at the MIJF In Conversation Series

The value of this Golden Pass is worth over $1,000 in tickets and services.
The shows chosen in the above pass will be up to the discretion of MIJF

ITEM 2:
Day’s Recording Session at Pughouse Studios, Northcote (value $600)

ITEM 3:
Gold Pass for this year’s Wangaratta Festival of Jazz & Blues (value $350)
The Gold Pass provides entry to all venues from Friday to Monday night PLUS: VIP seating at all WPAC shows, the Festival Launch Cocktail Party at the Gateway on Friday evening and the Cup Eve Concert on the Monday night.

ITEM 4:
Bundle of 10 McGann albums on Rufus Records, including Ugly Beauty, McGann McGann, Bundeena, Live at Side On, Playground, Kindred Spirits, Wending, Double Dutch, Solar, Blues for Pablo Too (value $250)

ITEM 5:
5 CD albums on JazzHead, including Andrea Keller Quartet and Sam Keever Nonet albums featuring McGann (value $130)

ITEM 6:
5 CD albums by Julian Wilson’s groups: Assumptions2, Departures by Assumptions, Festa, Trio-Live,
Kaleidoscopic (value $125)

ITEM 7:
Australian Jazz Real Book, edited by Dr. Tim Nikolsky (value $100)

ITEM 8:
Three framed photographs of Bernie McGann by Roger Mitchell (value $150 each)

ITEM 9:
Gold Pass for the Melbourne Jazz Co-operative’s 2014 season (value $75)

ITEM 10:
3 CD albums by Niko Schauble: Tibetan Dixie, Night Music, Red Earth/White Snow (value $75)

ITEM 11:
2 Victorian Jazz Archive albums of the JazzArt recordings: The Progressives 2 & 3 (value $50)

ITEM 12:
Stephen Magnusson’s Bell-winning “Magnet” LP (value $30)

Both Rufus Records (Bernie’s main label) and JazzHead will be selling stock on the night, with a good percentage of profits going to Bernie.

Copies of all 10 McGann albums on Rufus Records (including Ugly Beauty, McGann McGann, Bundeena, Live at Side On, Playground, Kindred Spirits, Wending, Double Dutch, Solar, Blues for Pablo Too) will be on sale at the special price of $20 each at the Benefit.

Additional copies of the Australian Jazz Real Book will also be sold for $100 each), as well as some other CDs and LPs by local artists.

BERNIE MCGANN BENEFIT LINE-UP

 The line-up  for the Jazz Lab gig ($20 & $15 concession) now includes Paul Grabowsky (solo piano), Italian saxophonist Mirko Guerrini, and Wilbur Wilde.

They will join an impressive line-up of leading Melbourne jazz artists (plus Perth’s Jamie Oehlers) with the confirmed artists including Julien Wilson, Allan Browne, Ian Chaplin, David Rex, Ken Schroder, Jex Saarelaht Trio, Bopstretch, Phil Noy, Philip Rex, Niko Schauble, and Sam Bates, among others.

Allan Browne (drums), Phil Rex (bass) and Phil Noy (alto sax) will open the concert by playing some of Bernie’s tunes (as will Julien Wilson and Boplicity).

ROGER MITCHELL

(using information provided by Melbourne Jazz Co-operative)

KEEP THIS NIGHT CLEAR FOR BERNIE

Bernie McGann

Bernie McGann

GIG: Benefit concert for Bernie McGann, Sunday 1 September, 2013, Bennetts Lane Jazz Club, organised by Melbourne Jazz Co-operative

This is one of my favourite pictures of Bernie McGann. I have plenty of others in which he is blowing up a storm, his brow covered in sweat, or gently transporting us with a ballad. But this picture shows Bernie seated, as is his habit, listening while other members of the band carry the piece forward. He is at ease, yet engrossed.

The picture was taken in June 2012 at a Bennetts Lane gig for the Melbourne International Jazz Festival. On the night, and in the review, I got carried away with what Bernie gave us, along with Marc Hannaford, Phillip Rex and Dave Beck.

This post is intended to help pass on details already being publicised by the Melbourne Jazz Co-operative, about a benefit concert being held at Bennetts Lane Jazz Club on September 1, so that the word gets out to as many people as possible. Bernie is recovering from illness and needs our support.

The line-up  for the Jazz Lab gig ($20 & $15 concession) now includes Paul Grabowsky (solo piano), Italian saxophonist Mirko Guerrini, and Wilbur Wilde.

They are joining an already impressive line-up of leading Melbourne jazz artists (plus Perth’s Jamie Oehlers) with the confirmed artists including Julien Wilson, Allan Browne, Ian Chaplin, David Rex, Ken Schroder, Jex Saarelaht Trio, Bopstretch, Phil Noy, Philip Rex, Niko Schauble, and Sam Bates, among others.

Allan Browne (drums), Phil Rex (bass) and Phil Noy (alto sax) will open the concert by playing some of Bernie’s tunes (as will Julien Wilson and Boplicity).

More prizes for the raffle and auction include a collection of five CD albums by Julian Wilson’s groups (Festa, Trio, Assumptions), and five copies of Stephen Magnusson’s Bell-winning Magnet LP.

Prizes donated for the Silent Raffle now include a Melbourne Jazz Festival’s Golden Pass (value $1,000), four copies of the Australian Jazz Real Book donated by editor Dr Tim Nikolsky (value $100 each), and a JazzHead CD pack (in addition to the Wangaratta Festival of Jazz & Blues, which is donating a Gold Pass for this year’s festival to both benefit concerts in Melbourne and Sydney : value $350 each).

Both Rufus Records (Bernie’s main label) and JazzHead will be selling stock on the night, with a good percentage of profits going to Bernie.
We also hope to have some copies of the hard-to-find 1997 book Bernie McGann A life in Jazz by poet Geoff Page, as well as some photographs by Bruce Hart (who now resides in Canada).

Tax-deductible donations can be made via S.I.M.A. (just ask for details).

ROGER MITCHELL

(using material provided by Melbourne Jazz Co-operative)

SHAKEN AND A LITTLE BIT REHEARSED

Monique diMattina

Monique diMattina        (Image supplied)

ARTICLE

Ausjazz blog takes a look at how singer/songwriter Monique diMattina has taken some song ideas through customs, taken a flight overseas, and come home with a new album

It’s an intriguing and original way to record an album: Take an idea provided by someone else, spend 45 minutes writing lyrics and a melody, carry those ideas on a plane to New Orleans, team up with some fine musicians and lay down the tracks at Piety Street in the Bywater.

That’s how Monique diMattina made her fourth album, Nola’s Ark, on a pilgrimage to New Orleans, Louisiana (NOLA to the locals) when she was 20 weeks pregnant.

The imaginative approach to song writing is not new for diMattina, who appears weekly on Tim Thorpe’s 3-RRR program Vital Bits for her Shaken Not Rehearsed segment, in which she writes and performs a song within an hour, based on listener’s requests.

The gestation of the second track on Nola’s Ark, Dig A Hole, is an example of how this creative and courageous process works.

First, there’s the challenge, issued by diMattina over the radio waves: “I’m here to write a song, every Sunday, so at 7.45 the challenge is out there. Call in and give me an idea and I’ll run off and write it.”

Then comes the idea.

A listener rings in: “I want to have my Saturday morning lovin’, but I’ve got to go out and dig trenches because of all the rain.

diMattina: “Oh, don’t you hate that.”

Listener: “I had to, yesterday.”

diMattina: “So you want your Saturday morning lovin’, you have to get out from under the doona, put on your … “

Listener: “Get the shovel out of the shed, and dig trenches down the side of the house so little rivers will escape my property.”

diMattina: “And who’re we talking to?”

Listener: “Greg

The delivery: In 39 minutes, diMattina has lyrics and a melody for Dig A Hole For Love.

It starts like this:

Come on babe hug me ‘coz I’m feeling all right

It’s warm under the covers gonna take you for a ride
She says “Hold on baby what you tryin to do?
you knooow I can’t stay and get hot with you –
cos the water’s risin, so quit your cryin and
Pick up a shovel dig a hole for love

This is a familiar routine for diMattina at 3RRR. On her website, she explains:

“Assuming I arrive on time, listeners call in 7.45am with a song idea. I hole myself up in Studio B, pray to the song gods, align my chakras with a complex ritual involving caffeine … and more caffeine … and receive whatever chaff they throw me.

“Some time just before 9am I play the fresh-born song live to air, coughing, spluttering, covered in vernix, but usually alive.”

Another caller, Rick, rang in after a Melbourne summer downpour wanting a song about the release of rain on the dry, dry earth. He had a property in Gippsland.

“I was struggling a bit, Tim,” diMattina says on air.

“It just felt like a bit of a boring song about rain and stuff and then I remembered the feeling, when I was living in Harlem when Obama came in, and Rick said, if release had a smell that the smell of the earth after rain would be it. And that started to strike a nerve with me, so that helped me along.”

The result was the song Bring On the Rain.

diMattina does not shy away from serious topics. Her song Godzilla is a response to a request from Steven, who had been watching footage of the devastation caused by 2011’s earthquake and tsunami on Japan and its nuclear reactors. He likened the images to Godzilla stomping across Japan.

As diMattina originally sang Godzilla on Triple R, she did without her piano “in solidarity with our friends in Japan”.

At Piety Street, the line-up for Nola’s Ark was diMattina on vocals, piano, Wurlitzer and Hammond organ, Leroy Jones on trumpet, Rex Gregory on clarinet, Loren Pickford on sax, June Yamagishi on guitars, Matt Perrine on acoustic bass and sousaphone, Eric Bolivar on drum, Richard Scott on accordion and Anthony Cuccia on percussion.

The talented ensemble is used to good effect on the five hastily written and four other originals, plus standards Young at Heart (Richards/Leigh), Let’s Do Something Bad (Matt Munisteri), I’ll Be Seeing You (Sammy Fain/Irving Kahal) and Numb Fumblin’ (Fats Waller).

If it seems surprising that songs written on the run could work so well when taken into a New Orleans studio with musicians new to the composer, it’s worth taking on board diMattina’s long affection for the music from NOLA.

In her album notes, she writes that all her life she has “loved and lived off the sounds and spirits of this swamp, that cross time, swim seas, pump blood for dancing, singing, crying winging, for suffering, truth, for soothing, sneaky grooves that move and woo”.

It would be interesting to know whether the five people who rang in with their ideas to Triple R are aware that they inspired a song that would be recorded overseas. And diMattina’s approach to composing raises the possibility of jazz fans turning up at gigs with a riff or two they want turned into a tune to be played on the night.

If instrumental “jazz karaoke” does take off, you heard it here first.

ROGER MITCHELL

CD-BABY-Nolas-Ark-cd-cover-300x

Nola’s Ark is being launched on Friday 24 May at Chapel Off Chapel as part of a Stonnington Jazz concert with singer/pianist, Kate Kelsey-Sugg.

Joining Monique will be six Australian musicians who are guaranteed to help her launch the album with verve and panache: Eamon McNelis (trumpet, vocals), Stephen Grant (accordion), Paul Williamson (saxophone), Doug de Vries (guitar), Howard Cairns (sousaphone, bass) and Tony Floyd (drums).

Monique diMattina studied at the VCA in the mid 90s, then studied and worked in the US. Her earlier albums are Senses (2007 Elwood Records), Welcome Stranger (2010 Head Records) and Sun Signs (2011 Head Records).

Nola’s Ark is released on Jazzhead.

Monique diMattina has some of her Triple R songs on her website.

Monique diMattina

Monique diMattina       (Image supplied)