Tag Archives: Jazz Bell Awards

FOR WHOM THE BELLS TOLLED IN 2016

Joe Chindamo

Mike Nock and Albert Dadon watch as Joe Chindamo responds to his induction into the Graeme Bell Hall of Fame.

NEWS

Australian Jazz Bell Awards 
2016

The word is well and truly out on this year’s winners of the Australian Jazz Bell Awards and the Graeme Bell Hall of Fame recipient. The awards ceremony at Bird’s Basement on Monday 20 June were photographed and filmed by so many that it was often difficult for those at the tables to catch sight of those handing over the awards, the prize winners and the performers — which included the “house band” and winning artists.

This was the first of the Bells, named in honour of one of the greats in Australian jazz — the late Graeme Bell, MBE AO — to be held at Albert Dadon’s relatively new venue Bird’s Basement and the host showed obvious pride in his establishment and its capability to host such an event.

It worked pretty well. The food was excellent, wine flowed freely and Dadon even told the punters to keep quiet and listen while the band —  Phil Turcio on piano, Philip Rex on bass and Darryn Farrugia on drums — delivered upbeat and strong jazz. There was a good roll-up and, if anything, the numbers at each table, coupled with the fairly large chairs, meant there was less circulation by guests than in previous years because it was hard for some to get out of their seats easily.

The lighting — which I appreciate is not the point of the night — was nevertheless pretty awful, so that speakers at the mic were backlit by the screen behind and not lit at all from the front. (Those of us taking some photographs notice these things.)

This year, for the first time, nominations were accepted from voting members of the Australian Jazz Academy and the shortlist of nominees in each category judged by critics and jazz professionals from Australia and overseas.

Judges were Albert Dadon AM, Adrian Jackson, Martin Jackson, Gerry Koster, John McBeath, Carl Griffin, Thomas Glagow and Laurence Donahue-Greene.

Here are a few shots of the winners:

(I have left the other nominees in the list because they came close and deserve to share some glory.)

Best Australian Jazz Ensemble

David Theak

David Theak accepts the Bell Award on behalf of the Jazzgroove Mothership Orchestra.

Winner: Jazzgroove Mothership Orchestra2015 Live Performance Compilation
Daniel SusnjarThe Daniel Susnjar Afro-Peruvian Jazz Group
Mace Francis OrchestraMusic For Average Photography

Best Australian Small Jazz Band (Up to 6 members)

Eugene Ball

Eugene Ball accepts the award on behalf of the Allan Browne Quintet.

Winner: Allan Browne Quintet – Ithaca Bound
Barney McAll + A.S.I.O. (Australian Symbiotic Improvisers Orbit) – Mooroolbark
Alister Spence TrioAlister Spence Trio: Live

Young Australian Jazz Artist of the Year (Musicians up to and including 25 years of age)

Olivia Chindamo

Olivia Chindamo with her Bell Award.

Winner: Olivia ChindamoKeep An Eye On Spring
James McLeanCounter Clockwork
Niran DasikaManticore (Phantom)

Best Australian Jazz Vocal Album

Kristin Berardi

Kristin Berardi accepts her Bell Award.

Winner: Kristin BerardiWhere Or When
Vince Jones + Paul GrabowskyProvenance
Olivia ChindamoKeep An Eye On Spring

Best Produced Album

Mike Nock

What a wonderful smile: Mike Nock accepts the Bell Award for him and Laurence Pike.

Winners: Mike Nock/ Laurence PikeBeginning And End of Knowing
Barney McAllMooroolbark
Angela DavisLady Luck

Best Australian Jazz Song/Composition of the Year

Barney McAll

Barney McAll speaks after receiving his Bell Award for Nectar Spur.

Winner: Barney McAllNectar Spur (Mooroolbark)
Julien Wilson QuartetWeeping Willow (This Narrow Isthmus)
Angela DavisA thousand Feet from Bergen Street (Lady Luck)

Best Instrumental Jazz Album

Barney McAll

Barney McAll accepts his Bell Award for the album Mooroolbark.

Winner: Barney McAllMooroolbark
Angela DavisLady Luck
Julien Wilson QuartetThis Narrow Isthmus

When the Hall of Fame inductee was announced, Joe Chindamo spoke for a while and then invited daughter Olivia to join him to perform. That was a fitting way to end the night.

Joe and Olivia Chindamo

Joe and Olivia Chindamo perform together as Bell recipients.

That’s about it for the evening, folks. Congratulations to those who came first and also to the runners up. It was my birthday and I left fairly early, so I have no gossip to impart.

My thanks to Prue Bassett.

I hope to post a few more images soon.

Roger Mitchell

 

 

Visit the Bell Awards website for more information.

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JAZZ BELL AWARDS 2011

Ausjazz blog could not be at the awards ceremony at Melbourne’s Plaza Ballroom last night, but congratulates the winners:

Tarrawarra Estate Best Australian Jazz Vocal Album ― Elly Hoyt

Gibson Guitars Best Australian Contemporary Jazz Album:
Mike Nock Trio ― An Accumulation of Subtleties

Palace Cinemas Best Australian Jazz Blend Album
The Subterraneans ― The Subterraneans

Brand Partners Best Australian Traditional Jazz Album:
Leigh Barker ― The New Sheiks

APRA/AMCOS Best Australian Jazz Song of the Year:
Eugene Ball ― Song From the Highest Tower (from the album Une Saison En Enfer)

Monash University Best Australian Jazz Ensemble:
Australian Art Orchestra / Young Wagilak Group

Fender Katsalidis Young Australian Jazz Artist of The Year:
Johannes Luebbers

Qantas Hall of Fame:
Tony Gould

The Australian Jazz Bell Award winners share a prize pool of $40,000 – $5,000 per category

YOU TUNES — TIM ROLLINSON TRIO

CD REVIEW

Rollinson — You Tunes

3 stars

THERE are no rough edges to Rollinson‘s second outing as leader after 1997’s Cause + Effect in a different trio plus guests. The founder of popular ’90s acid jazz band DIG (Directions In Groove) is joined by bassist Jonathan Zwartz and drummer Hamish Stuart, fresh from their work on dual Bell Award-winning album The Sea.

On seven originals, three by the trio and one standard, guitarist Rollinson uses distortion and other pedals to float smooth, fluid layers into an often busy mix including soft lyricism with a reflective feel, some bright, stabbing rock-infused riffs and harder, more emphatic musings. The opening Before is too brief, but closer After is a rich, thick gravy with some deliciously deep rumblings.

File between: Bill Frisell, Stephen Magnusson
Download: White Lion Brow, After

ROGER MITCHELL

This review was published in the Sunday Herald Sun liftout Play on July 18, 2010