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CHORDS REFLECT CRISES, CULTURES

Cheryl

Cheryl Durongpisitkul performs Follow Me Through the Red Ash.      Image: Roger Mitchell

PREVIEW

Wangaratta Festival of Jazz & Blues, November 2-4, 2018

Most music fans going to “Wang” this year will have made that decision some time ago, so this is intended as a guide to the myriad jazz gigs on offer.

With the Invictus Games fresh in our minds, the Australian Art Orchestra’s Friday night concert (8pm WPAC Theatre) entitled Sometimes Home Can Grow Stranger than Space is an appropriate starting point. Based on a concept by Paul Grabowsky AO, composers Andrea Keller, Tilman Robinson and AAO Artistic Director Peter Knight focus on those who tried to pick up their ‘normal’ lives after the war. In three world premieres inspired by Monash University Faculty of Arts’ One Hundred Stories – which remember not only the men and women who lost their lives, but also those gassed, crippled, insane and irreparably damaged by war who returned to Australia – the composers employ archival recordings, tape, electronics and improvisation. Expect this to be challenging and affecting.

Similarly significant and topical issues will be addressed musically on Saturday (6.30pm WPAC Theatre) when Sirens Big Band performs [A]part: an hour-long suite by trumpet player Ellen Kirkwood, featuring Andrea Keller (piano), Sandy Evans (saxophones) and Gian Slater (voice). This work is a response to world issues such as climate change, the refugee crisis and the omnipresence of the internet. This predominantly female and trans band is sure to deliver an arresting performance.

Alex Stuart

Alex Stuart.                      Image: Roger Mitchell

It’s great to have expatriate Australian guitarist Alex Stuart over from Paris again, this time with his French band – Irving Acao tenor saxophone and keyboards, Arno de Casanove trumpet and keyboards, Antoine Banville drums and Ouriel Ellert bass. Stuart’s fourth album, Aftermath (2017), reflects the dark turning points the world is facing, but is inspired by “the omnipresent and evident beauty that surrounds us”. Word is that this band is tight as and hot.

The quintet’s two outings (7.30pm Friday WPAC Hall and noon Saturday St Pat’s Hall) suffer a little from inevitable festival overlaps, but Melbourne audiences can also catch the band at 8pm on November 4 at The Jazzlab.

Less thematically concrete but definitely referencing the environment, Cheryl Durongpisitkul’s suite Follow Me Through the Red Ash (4pm Saturday, St Pat’s Hall) will draw on techniques in Igor Stravinsky’s ballet, Petrushka to explore what Nikos Fotakis has described as a musical narrative that is “a kind of mystical environmental fairy tale, about the balance of power within an ecosystem”.

This year’s program places less emphasis on the American jazz tradition, offering an eclectic mix of artists and influences from Europe, Japan, India, Iran, Moravia, Sri Lanka, the Middle East and Indonesia.

As well as Stuart’s quintet, Europe is well represented by saxophonist Yuri Honing (Holland) and Trio Elf (Germany), both certain to be festival highlights.

Honing’s conviction that Europe is undervalued, along with his love for classical music, history and art, influenced his 2017 album Goldbrun. Desire was Holland’s No.1 best selling album in 2015. Honing on tenor saxophone will join Wolfert Brederode (Holland) on piano, Gulli Gudmundsson (Iceland) on bass and Joost Lijbaart (Holland) on drums for two concerts (10pm Friday, and 10.30pm Saturday, WPAC Theatre). Expect peace, serenity, tension and mysticism.

Trio Elf

Trio Elf. Image: Uli-Zrenner-Wolkenstein

Trio Elf’s acoustic line-up comprises Walter Lang on piano (expressive melodies and energetic chords), Peter Cudek on acoustic bass (melodious counterpoint and low-register synth-like grooves) and Gerwin Eisenhauer (a drum machine come alive). In two concerts (8.30pm Saturday, WPAC Theatre and 8.30pm Sunday, St Pat’s Hall) expect jazz, classical, rock and electronic influences from a trio crossing between the modernistic, hyper-rhythmic and a more lyrical, traditional approach.

Connections between Australian and Japanese musicians will bear fruit at Wang this year in three outings. Recently returned after time in Japan, Australian trumpeter Niran Dasika will join Japan’s Sumire Kuribayashi – known for her storytelling on piano – to present KIRI (noon Saturday, Holy Trinity Cathedral), a suite inspired by the ‘nihonga’ paintings of Kaii Higashiyama. In a dectet on Sunday (noon, WPAC Theatre) Dasika and Kuribayashi will present longer forms and orchestral textures in her Pieces of Colour, along with Akihiro Yoshimoto (saxophones), Reiko Yamamoto (vibes), Tomohiro Yahiro (percussion), Yuki Ito (bass), Hideaki Kanazawa (bass), Hiro Kimura (drums), Kengo Komae (drums) and Australia’s James Macaulay (trombone).

On Saturday (2pm, WPAC Hall) Macaulay will lead the Hishakaku Quartet – named after a Yakitori restaurant in Tokyo – with Dasika on trumpet, Marty Holoubek on bass and Japan’s Shun Ishiwaka on drums. Their debut album, recorded in Tokyo in October last year, features compositions by Macaulay, Dasika and Holoubek.

Indian musical traditions will be reflected in three concerts at Wang, two featuring cross-cultural ensemble The Three Seas (9.30pm Friday, WPAC Hall and 8pm Sunday, WPAC Theatre). Fusing modern Australian jazz with West Bengali folk music, the band comprises Matt Keegan on saxophone, Steve Elphick on bass, Raju Das Baul on vocals and khamak, Deo Ashis Mothey vocals, guitar and dotora, Gaurab Chatterjee on dubki and drums. Expect echoes of traditional Baul, carnatic and Nepalese folk songs in danceable music that radiates joy. Raj Das Baul will also perform solo (3.30pm Sunday, Cathedral) on khamak, a string instrument originating in India, drawing on the rich folk forms of Baul music.

Gelareh Pour

Gelareh Pour Image: Roger Mitchell

Contemporary Persian and Western motifs will blend (7pm Sunday, WPAC Hall) when Gelareh Pour’s Garden Quartet guarantees to sway the heart and persuade the feet to tap. The band features Pour on kamancheh (Persian spiked fiddle) and voice, Mike Gallichio on electric guitar, Arman Habibi on santur (Persian hammered dulcimer) and voice, and Brian O’Dwyer on drum kit.

Composer and oud virtuoso Joseph Tawadros AM will seamlessly bring middle-eastern and classical music together with jazz and his sharp wit on Sunday (5.30pm, Cathedral). Moravian influences will be evident when pianist Emil Viklicky – known for his response to Janacek’s Sinfonietta – performs in a duo with trumpeter Miroslav Bukovsky (1.30pm Sunday, Cathedral).

Adding to the international collaborations abundant at this festival, Indonesian master percussionist Cepi Kusmiadi will perform on the kendang sunda, a set of two-headed drums, with Australian musicians Julian Banks on saxophone, James Hauptmann on drums and Chris Hale on bass (4.30pm Sunday, WPAC Hall). They will perform music from their new album Agung, recorded in Denpasar to reflect their climbing of the volcano and good friends tackling adventure head on.

The Calling

Ray Pereira and Kanchana Karunaratna in The Calling. Image: Roger Mitchell

Sri Lanka is the focus of The Calling (1pm Saturday, WPAC Theatre), the fourth project in Adam Simmons’ acclaimed The Usefulness of Art concert series. This intensely personal work, performed by the Adam Simmons Creative Music Ensemble with Afrolankan Drumming System and Vikram Iyengar, was inspired by sounds and experiences from Simmons’ first visit to Sri Lanka. Don’t miss it, if only to see whether Ray Pereira smiles.

Collaborations among Australian musicians have for many years delivered patrons at Wang the performances that are the most inspiring and long lasting in their impact. The huge amount of hard work and talent in this nation’s jazz musicians is regularly showcased at this festival. This year is no exception.

On Saturday (1pm, Cathedral) Sydney’s saxophonist, composer and educator Sandy Evans OAM will join Melbourne’s pianist, composer and educator Andrea Keller for a duo set that will undoubtedly delight. And on Sunday (3pm WPAC Theatre) one of our finest large ensembles, Ten Part Invention, will present some classic compositions from founding member Roger Frampton as well as new works by current band members. What a host of talent: Miroslav Bukovsky trumpet/musical director, Sandy Evans saxophones/musical director, Andrew Robson saxophones, Paul Cutlan saxophones, John Mackey saxophones, Warwick Alder trumpet, James Greening trombone, Paul McNamara piano, Steve Elphick bass, Dave Goodman drums.

Another concert not to let slip past unnoticed features Quattro Club (11am Saturday, WPAC Theatre) a new quartet consisting of Niko Schauble drums, Mirko Guerrini woodwinds, Joel Hands-Otte woodwinds and Dan Gordon tuba. Expect compositions as starting points, gently morphing group explorations and superb solos.

And for lovers of soul, vocalist Tina Harrod (1pm Sunday, WPAC Theatre) is sure to wow audiences with songs from her latest album City of Longing, performed with Stu Hunter on piano, Dave Symes bass, Matt Keegan saxophone, Evan Mannell drums, James Greening trombone, Cameron Deyell guitar, Ray Cassar trumpet, and on vocals Virna Sanzone, Evelyn Duprai and Lisa Spence.

For those who like their musicians to be daring or dangerous, trumpeter Reuben Lewis will lead Melbourne psychedelic jazz collective I Hold the Lion’s Paw in an outing (2pm Sunday, St Pat’s Hall) offering a trance-inducing concoction of electro-acoustic noise and slowly evolving soundtracks. Collective members on this occasion are Jordan Murray trombone, Cheryl Durongpisitkul alto sax and flute, Adam Halliwell guitar, David Brown electric bass, Maria Moles drums and Tom Lee double bass.

No festival should be without some fun, and Wang promises to deliver that via two concerts. Canada’s The Shuffle Demons (10pm Saturday, WPAC Hall) wear spectacular hand-painted suits and love to parade through the audience as they play a mix of funk jazz, hard bop jazz and jazz rap. On sax and vocals are Richard Underhill, Matt Lagan and Shawn Nykwist, while Michael Herring contributes bass and vocals and Stich Wynston drums and vocals. That’s a lot of vocals. Expect wild romps into the crowd, free jazz, danceable funk, poetry and killer solos.

A Great Rack and an Empty Reverb (6pm Sunday, St Pat’s Hall) is apparently a cross between jazz and stand up comedy, with Maria Moles (drums/percussion), Adam Halliwell (guitar/synth) and Emily Bennett (vocals/effects rack) offering what we might encounter at a New York comedy club in a weird parallel universe.

And no festival these days can be without a band that can appeal to a younger audience. After all, the occasional longstanding jazz follower at Wang may be a little long in the tooth. (Who said that?) So, the big attraction this year in that space, gathering the right metrics, will be the US outfit FORQ (9.15pm Saturday, St Pat’s Hall and 10pm Sunday, WPAC Theatre). FORQ was founded by keyboardist Henry Hey (David Bowie, Empire of the Sun, Jeff “Tain” Watts) and bassist Michael League (Grammy-winning leader of Snarky Puppy). Now Kevin Scott on bass joins Hey, Chris McQueen (Snarky Puppy, Bokanté) on guitar and Jason “JT” Thomas (Roy Hargrove’s RH Factor, Marcus Miller, D’Angelo) on drums. The band’s third album Thrēq (pronounced “threek”) was released late in 2017.

Drums are the featured instrument in the National Jazz Awards, the 10 finalists being Alex Hirlian, 24 (Sydney, NSW), Alex Reid, 25 (Perth, WA), Alexander Inman-Hislop, 25 (Petersham, NSW), Alf Jackson, 27 (Hobart, Tas), Angus Mason, 25 (Glengowie, SA), Damien Ellis, 32 (Thornbury, Vic), James McLean, 28 (Preston, Vic), Josh Baldwin, 33 (Adelaide, SA), Lewis Pierre-Humbert, 27 (Tecoma, Vic), and Oli Nelson, 25 (Redfern, NSW). The hard-working support band comprises Stu Hunter piano, Brendan Clarke bass and Paul Cutlan saxophones. The judges are David Jones, Hamish Stuart, Dave Goodman.

After all that listening to other drummers, Jones will join Evri Evripidou on six-string bass (9pm Sunday, WPAC Hall) as Third Ear to create sonicscapes “born without pre-conception”.

There are other Wang concerts not mentioned in this guide, but that does not mean they won’t entrance, enthral and appeal.

St Pat’s Hall will be set out differently this year, offering a club-like atmosphere. And that will be setting for the closing concert of the festival, The Orszaczky Budget Orchestra, which celebrates the energy, passion, and dazzlingly inventive arrangements of Hungarian-born bandleader, composer and visionary Jackie Orszaczky, who died of Lymphoma in 2008. Fronted by Tina Harrod and vocalist Darren Percival, the ensemble will feature many players who performed regularly with Jackie over the years. With Dave Symes bass, Hamish Stuart drums, Stu Hunter keys, Clayton Doley keys, Arne Hanna guitar, Matt Keegan saxophone, James Greening trombone and Virna Sanzone backing vocals, this should wrap up Wangaratta Festival of Jazz & Blues in style.

ROGER MITCHELL

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STANDING ROOM ONLY

Nubya Garcia Image: Adama Jalloh

Nubya Garcia                                   Image: Adama Jalloh

PREVIEW

Melbourne International Jazz Festival, 1-10 June, 2018

The 21st MIJF, which over 10 days in almost 100 events will feature almost 400 Australian, international and emerging artists, is only a day away.

Already many concerts — An Evening with Branford Marsalis and Sun Ra Arkestra at Melbourne Recital Centre, and the 7pm outing by Nubya Garcia at The Jazzlab — are sold out. A second outing for the Arkestra at The Night Cat has been added on 7 June.

Tickets for others concerts — Maceo Parker’s tribute to Ray Charles, Christian McBride’s New Jawn and Harry James Angus’s new project, Struggle With Glory — are selling fast.

Not such good news is that six club sessions scheduled for the Southside Jazz Room have been cancelled because construction work at the venue will not be completed in time. So patrons will miss the opportunity to hear Bopstretch, Fem Belling Quartet, Sam Keevers Trio featuring Michelle Nicole, Bob Sedergreen and Friends, Paul Williamson Quartet and Jamie Oehlers Quartet plays the music of John Coltrane. That’s a great pity.

As mentioned in an earlier post, there will be 25 venues across the city, from Hamer Hall to small clubs, as well as cafes in Melbourne’s west.

Clearly the festival programming has tackled the difficult task of broadening the appeal of the music on offer with a view to attracting younger fans. I say this is difficult because many potential patrons who may well love the styles of music on offer can be turned off by the festival’s “jazz” tag.

One way that MIJF Artistic Director, Michael Tortoni, and his programmers have tackled this is to utilise venues such as 170 Russell, known to many as Billboard, which offers standing-room-only space that could not be seen as fitting an image — albeit often wildly inaccurate — of staid music.

First up at 170 Russell the festival will present Knower on Tuesday 5 June. This Los Angeles group features Genevieve Artadi vocals, Louis Cole drums/vox, Thirsty Merc’s Rai Thistlewayte keys, Jacob Mann keys and Sam Wilkes bass. They promise “hard-hitting funk, cool chords, deep melodies and vocals creating an imaginative and out-of-this-world experience”.

Yemen

Yemeni Israeli Ravid Khalani                        Image supplied

Next, 170 Russell will host Yemen Blues on 6 June, featuring Yemenite Israeli Ravid Khalani on voice and gimbri, Brian Marsella (US) on keys, Shanir Blumenkranz (US) on bass and oud, Dan Mayo (Israel) on drums and Edo Gur (US) on trumpet. Drawing on Middle Eastern traditions, Yemen Blues offers hypnotic percussion beats and multi-layered sounds.

Chris Dave

Chris Dave with The Drumhedz in 2014.              Image: Roger Mitchell

And on Friday 8 June, 170 Russell will host Chris Dave and The Drumhedz. Back in 2014 at MIJF Chris Dave on augmented drum kit was an unexpected, but clear highlight for me at Bennetts Lane with Isaiah Sharkey on guitar, Nick McNack on bass and Marcus Strickland on tenor and soprano sax. Their set held my interest from the word go and a lot of the appeal came from the watchfulness and interaction in this band. Dave’s line-up this time will be revealed on the night.

Continuing MIJF artistic director Michael Tortoni’s effort to “showcase some of the future directions of this vital and ever-evolving art form” in a much smaller yet much more inviting venue, The Jazzlab hosts UK saxophonist and composer Nubya Garcia, described by Rolling Stone as “one jazz musician poised to break out in 2018”. Garcia cites musical influences from American jazz, blues, soul and roots to contemporary pop. She celebrates women in contemporary jazz, playing in an all-female septet Nérila. Tickets may still be available for her second concert at 9.30pm on Thursday 7 June.

Terri Lyne Carrington

Terri Lyne Carrington                         Image supplied

Also aiming to attract patrons from outside straight-ahead jazz, in four concerts at The Jazzlab (Saturday 2 June, Sunday 3 June) US percussionist Terri Lyne Carrington will address issues of freedom, racism, sexism, fluidity, and multiculturalism in her social consciousness project Social Science. The line-up will be Kassa Overall MC/turntable, Debo Ray vocals, Matthew Stevens guitar and Aaron Parks piano. Expect lush compositions, influenced by jazz, indie rock, contemporary classical and R&B.

Harry James Angus

Harry James Angus             Image supplied

The Jazzlab is also bound to attract new faces among patrons keen to hear The Cat Empire’s trumpet-playing vocalist Harry James Angus who, in Struggle With Glory, will endeavour to transport classic Greco-Roman myths into a surreal world of old-time jazz and gospel music. Angus will be joined by Ben Gillespie trombone, Monique Di Mattina piano, Freyja Hooper drums, Tamara Murphy bass and Lachlan Mitchell guitar, along with a gospel choir. There are still tickets available for the 9.30pm concert on Tuesday 5 June.

And fans of Spiderbait will be drawn to Melbourne Recital Centre on Saturday 9 June to hear Kram on drums join pianist/composer Paul Grabowsky AO and multi-instrumentalist James Morrison reprise their audience-wowing outing as The Others at the 2017 Wangaratta Festival of Jazz and Blues. Expect fireworks and much joy from the participants.

A further bid to broaden interest will be Jazz Massive, a participatory mass-music-making event on Sunday 3 June at 11am, situated on the lawns of State Library Victoria. Musicians of all calibres are invited to bring along their instruments and join a massive jam session. But beforehand those wanting to be involved can follow helpful videos by Tamil Rogeon.

For the much younger music fans, and their significant adults, Lah-Lah’s Big Jazz Adventure at Melbourne Recital Centre on Saturday 2 June will feature singer Lah-Lah and her friends Mister Saxophone, Squeezy Squeezy on accordion, Tom Tom on drums, Buzz the Bandleader and Lola the Dancing Double Bass, as seen on ABC Kids. Children under 2 are free.

Tony Malaby

Tony Malaby                               Image supplied

For the hard core of fans familiar with jazz, the concerts with most appeal this year will include the retrospective Novela (Wednesday 6 June, The Jazzlab) featuring US saxophonist Tony Malaby with Canadian pianist/arranger Kris Davis and the Monash Art Ensemble under the direction of Paul Grabowsky. I’m looking forward to that, along with the outing on Monday 4 June at The Jazzlab bringing Malaby together with Davis and the extraordinary Sydney drummer Simon Barker for “fearless improvisation”. Bring it on.

And on the opening night of the festival, a highlight is sure to be The Gravity Project (The Jazzlab) in which Grabowsky on piano and Rob Burke on saxophone join shakuhachi master Masaki Nakamura, koto virtuoso Kuniko Obina and Tokyo-based Aaron Choulai on laptop and electronics in a world premiere cross-cultural exchange with Tokyo Jazz Festival. The ensemble also features Niran Dasika on trumpet, Marty Holoubek on bass and James McLean on drums.

Kim-Myhr

Kim-Myhr                                         Image: Orfee-Schuijt

The adventurous are sure to seek out two concerts at The Substation in Newport (Friday 8 June, Saturday 9 June) featuring Norwegian master of the 12-string guitar, Kim Myhr, whose long form drones, slow melodic arcs and moments of psychedelic intensity draw on rock music, minimalism and jazz.

The first outing, Three Solos, will feature Myhr on guitar, well known member of The Necks, Tony Buck on drums and guitar and Australian Art Orchestra Artistic Director Peter Knight in the premiere of a new work for processed trumpet. The following night Myhr joins the AAO in a performance of a world premiere of a work created for the 10-piece orchestra, featuring two violinists, two drummers, bass, hammered dulcimer, electronics, bass clarinet, Revox reel-to-reel tape machine. Buck and Knight will be on stage along with bass clarinet virtuoso Aviva Endean and incendiary violinist Erkki Veltheim.

Experimentation will continue back at The Jazzlab when pianist/composer Brenton Foster presents Love, As We Know It, his PBS Young Elder of Jazz commission in collaboration with with US poet Christopher Pointdexter. Foster (vocals, piano) will be joined by Gideon Brazil (sax, flute, clarinet), Stephen Magnusson (guitar), Tamara Murphy (bass) and Aaron McCullough (drums).

And audiences will be familiar with US bassist Christian McBride, who returns in four concerts over two nights (Saturday 9 June, Sunday 10 June) at The Jazzlab. His fresh quartet, New Jawn, comprises Marcus Strickland saxophone, Josh Evans trumpet and Nasheet Waits drums. Saxophonist Francesco Cafiso (Italy) will perform two concerts at The Jazzlab on Friday 8 June.

Concerts at the 40-seat Lido Jazz Room, which is curated by Uptown Jazz Café’s Sonny Rehe, could be regarded as this festival’s homage to the importance of women musicians in the Melbourne scene. Over four nights, each with two concerts, the artists comprise Margie Lou Dyer Quintet and Natasha Weatherill Quartet (Friday 1 June), Emma Gilmartin Quartet (Saturday 2 June), Jackie Bornstein Quartet and Julie O’Hara La Grande Soiree (Friday 8 June), and Andrea Keller Trio along with Connie Lansberg  featuring Mark Fitzgibbon Trio (Saturday 9 June).

In Melbourne Recital Centre on Saturday 2 June fans of jazz vocalists can enjoy Gretchen Parlato (US) with Marcel Camargo on guitar, Artyom Manukian on cello and Leo Costa on percussion. Expect undertones of African and Brazilian beats. The superb Sam Anning Sextet will open.

And on the final night, Hamer Hall will host French-American singer Madeleine Peyroux interpreting jazz standards, with an opening set that’s sure to entrance by the Angela Davis Quartet.

Barney McAll

Barney McAll                                 Image supplied

Melbourne-based Barney McAll will premiere two works: Trilogy of Cycles at Birrarung Marr’s Federation Bells and Sweet Sweet Spirit featuring music by the great gospel composer Doris Akers at Darebin Arts and Entertainment Centre. Both of these are sure to be outstanding.

Jazz Out West returns with local DJ, radio broadcaster and music personality Mz Rizk as guest programmer, focusing on experiences not usually found in a jazz festival, including a cross-genre tribute to high priestess of soul, Nina Simone, and emerging crossover artists Thando, Cool Out Sun, KillaHertz and Kalala & The Round Midnights. All concerts are free.

Free events will also include the return of Sound Walks throughout the city, lunchtime concerts at St James and the long-running artist workshops and Close Encounters series, which has expanded to include career development workshops led by industry experts and practitioners including Chelsea Wilson (Brunswick Music Festival), Fem Belling (The Public Opinion Afro Orchestra), and Marcus Strickland (Christian McBride’s New Jawn / Twi-life).

Family-friendly festival events include the Melbourne Mass Gospel Choir at Southern Cross Lane.

There’s plenty more music on offer, so check out the full program details  at the MIJF website.

ROGER MITCHELL

FESTIVAL NOT DOMINATED BY MEN!

Xani Kolac

Xani Kolac                   Image supplied

PREVIEW

Melbourne Women’s International Jazz Festival,November 24 to December 10, 2017

I suppose the reason why we don’t have a men’s international jazz festival in Melbourne – or anywhere – is that it would be doubling up on what we often experience at jazz gigs – that is, a predominance of male performers.

So, until that changes, and we no longer need a women’s festival because most gigs feature women musicians, let’s celebrate the work of, and the depth of talent among, the many female practitioners of jazz or improvised music.

This year Sonja Horbelt has programmed a ripper of a festival in Melbourne with a great deal of talent from Australia and overseas, including expatriate trombonist Shannon Barnett and  internationally-acclaimed Korean musician Hyelim Kim.

Full details are available on the festival website, but here’s a summary of the gigs on offer to whet your appetite. This is an inexpensive way to hear and celebrate the considerable talent of the many women musicians who compose and play jazz.

Friday, November 24, 5.30pm 6pm-8pm, Sharny Russell Quartet, $15/$10, Uptown Jazz Cafe

An Australian pianist/vocalist/composer based in Byron Bay, Sharny Russell has put together an all female line up to also acknowledge the “International Day of the Elimination of Violence Against Women”. It comprises Russell vocals/piano, Angela Davis saxophone, Annette Yates bass and Sonja Horbelt drums

Saturday November 25, 3pm-5pm, Quadrifid, Free, Two Birds Brewery, Spotswood

‘Quadrifid’ is a chordless, all female jazz quartet that plays original groove based music as well as some jazz standards and arrangements. It features Lauren Mullarvey – saxophone (Cactus Channel), Ellie Lamb – trombone (Stand By Your Woman, The Bean Project), Elise Winterflood – bass (La Busca, Old Hat), Alex Roper – drums.

Sunday November 26, 3pm-5pm, Kathleen Halloran Trio, Free, Two Birds Brewery Spotswood

Kathleen Halloran is a guitarist based in Melbourne. At 22, she has over six years’ experience as a working musician, including professional music theatre and also international work with Broadway vocalist Brad Little. She has performed alongside Australian artists including Kate Ceberano, Kate Miller Heidke, Tim Rogers, Tex Perkins, Jen Cloher and Harry Angus (Cat Empire).In her own trio, Kathleen offers floating melodies on top of intricate and moving harmonies. Joining Kathleen are Kim May (Double bass) and Darryn Farrugia (drums) for two sets of new original music.

Sunday December 3, 7pm for 8pm, SPIRE + Girls Do Jazz, $25/$20, The Jazzlab

First set: SPIRE ensemble, a collective of Melbourne instrumentalists, all women, present a program of all original contemporary jazz works. The line-up comprises Xani Kolac (violin), Kathleen Halloran (guitar), Claire Cross (bass), Lena Douglas (keys), Maria Moles (drums), Savannah Blount (tenor saxophone), Cheryl Durongpisitkul (alto saxophone), Ellie Lamb (trombone) and Charlie Woods (trumpet).

Second set: Girls Do Jazz is a jazz band comprised of current Jazz & Improvisation students at the Victorian College of the Arts. The ensemble is led by Andrea Keller, Lecturer in Jazz & Improvisation at the VCA/MCM. The emphasis is on Australian contemporary jazz. The band comprises Bella Winter – alto saxophone, Kathleen Halloran – guitar, Alex Rindfleish – piano, Robbie Finch – double bass and Alex Czarnecki-Roper – drums.

Monday December 4, 7pm for 7.30pm, Student night, $15/$10, The Jazzlab

Performers from Mac.Robertson Girls High School, Ruyton Girls School and Siena College play big band music from traditional to more contemporary styles.

Tuesday December 5, 7.30pm for 8pm, Lijuka/Hyelim Kim, $20/$15, The Jazzlab

First set: Lijuka – Katrina Owen on saxophone / vocals, Libby Ferris on guitar / vocals, and Julia Bebenek on drum kit / vocals, are a Melbourne trio whose sound swings from ambient drone based musings to jazz-infused grooves.

Second set: Hyelim Kim is an internationally-acclaimed Korean musician, based in London, who is a virtuoso on the taegŭm (the traditional horizontal bamboo flute). A multi-award winning PhD who has performed in New York and London, she is acknowledged as a young performer who has taken a leading role in breathing new life into Korean traditional music, recording both traditional works and her own compositions. For this concert, ‘Scattering Rhythms’, she is collaborating with Australian musicians Simon Barker (drums) and Peter Knight (trumpet & electronics).

Wednesday December 6, 8pm for 8.30pm, QoQo8 CD launch, $20/$15, The Jazzlab

QoQo8 – comprising Nilusha Dassenaike: vocals, Anthony Schulz: piano, piano accordion, Adam Starr: guitar, vocals and Tommy Harrison: drums, vocals – was created to bring rich harmony and deep grooves to the ambience of modal-based improvised music. It is a 4-way compositional collective that puts a new spin on the East/West fusion beloved by Shakti and Joe Zawinul, bringing orchestral soundscapes to the meditative grooves and modal improvisations of music from the Sri-Lankan Buddhist tradition.

Thursday December 7, 8pm for 8.30pm, Flora & Audrey CD launch, $20/$15, The Jazzlab

Two of Melbourne’s most exciting young horn players, trumpeter Audrey Powne and saxophonist Flora Carbo, join Joseph O’Connor piano, Marty Holoubek bass and James McLean drums to play original music written specifically for this project.

Friday December 8, 8pm for 9pm, The Sally Ford Clinic, , The Jazzlab

Sally Ford leads these all-star specialists bringing together their disparate musical backgrounds in tex mex, afrobeat, salsa, film music, ska, reggae and funk, to lay down some relaxed and rootsy dance grooves with Dr Hernández, prescribing a triple dose of electro-cumbia, funky reggae and boogaloo. The line-up comprises Sally Ford – lead vocals, alto sax & flute, Patrick Cronin -trumpet, percussion & backing vocals, Michael Havir – keyboards & audiology, David Joseph – drums, Karen Berger – percussion, Alisha Brooks – saxophone, Audrey Powne – trumpet and Darcie Foley – trombone.

Friday December 8, 11pm, Shannon Barnett (Germ/Aus/US), Free, The Jazzlab

Melbourne-born Shannon Barnett completed a Master of Music at the State University of New York, under the tuition of John Fedchock and Jon Faddis. In 2014, Barnett was offered the 2nd Trombone position in the WDR Big Band; based in Cologne, Germany. In 2017, she released the album ‘Hype’ (Double Moon) with her German quartet, featuring Stefan Karl Schmid (tenor saxophone), David Helm (bass) and Fabian Arends (drums). In this midnight set she will perform with Stephen Magnusson – Guitar, Ben Robertson – Bass and Rajiv Jayaweera – Drums.

Friday December 8, 8pm, Lauren Nottingham (NZ/UK), $20$16, The Jazzlab

Lauren Nottingham is a New Zealand singer who draws on a diverse stylistic palette of music including jazz, progressive rock, choral music and contemporary pop. Having recently returned from time in Berlin, she began collaborating with UK pianist/composer Mark Donlon resulting in the album Shadowbird (Fuzzymoon Records UK). Tonight’s show will feature jazz from German Gypsy Jazz to re-interpretations of songs by Madonna and David Bowie and original compositions from Shadowbird. She will be joined by Mark Donlon (UK) – piano, Hiroki Hoshino – bass and Mark Lockett (NZ) – drums.

Saturday December 9, 8pm for 9pm, Elly Hoyt (Bris/Melb): The Composer’s Voice, $28/$25, The Jazzlab

Ahead of a national album release in 2018, and comprising of entirely original compositions, ‘The Composer’s Voice’ explores personal stories of women in music from discovery, obstacles and overcoming. It is a diverse and powerhouse group of Australian composers including Andrea Keller, Angela Davis, Georgia Weber, Gian Slater, Hannah James, Kristin Berardi, Louise Denson, Martha Baartz, Nat Bartsch, Shannon Barnett, Sonja Horbelt and Tamara Murphy. Tonight’s gig will feature Ellie Hoyt on voice, Andrea Keller piano, Jonathan Zion on double bass, Raj Jayaweera on drums, Julien Wilson on tenor sax and Shannon Barnett on trombone.

Saturday December 9, 11pm, Shannon Barnett (Germ/Aus/US), Free, The Jazzlab

In this second midnight set, Shannon Barnett will be joined by Julien Wilson tenor saxophone, Marty Holoubek bass and Rajiv Jayaweera drums

Sunday December 10, 7pm for 8pm, Sophie Min/James Sherlock plus Andrea Keller Still Night in Poetry, $25/$20, The Jazzlab

First set: Sophie Min, a rising jazz pianist and composer who has toured Belgium, Switzerland, Netherlands, Germany, Croatia, Italy and Denmark and has performed at North Sea Jazz Festival, along with well known guitarist James Sherlock.

Second set: If you haven’t experienced Still Night: Music in Poetry, make a point of not missing it. This work is a 60-minute song-cycle combining poetry that spans centuries and the globe with music composed by Andrea Keller. A meditation on omnipresent sentiments of death, grief and loss, Still Night has been performed with a slightly different line-up, but on this occasion will feature Gian Slater – voice, Josh Kyle – voice, Julien Wilson – tenor saxophone & bass clarinet, Stephen Magnusson – guitar and Andrea Keller – piano. The text has been drawn from a selection of poetry including tenth-century Japanese poet Izumi Shikibu, nineteenth-century English poet John Keats, American writer Walt Whitman, Irish poet William Butler Yeats, French novelist Marcel Proust, American poet Sara Teasdale, and further into the twentieth-century with American writer e. e. cummings, Welsh poet and writer Dylan Thomas, to contemporary Australian poet, dancer and filmmaker Richard James Allen.

That’s the festival. Get out and enjoy it.

Roger Mitchell