Tag Archives: paul williamson

CHANTAL FIRES A CANNONBALL INTO A TOUGH CROWD

Chantal Mitvalsky

Chantal Mitvalsky and Darrin Archer in Cannonball

REVIEW: David Rex Quartet / Cannonball, Chapel Off Chapel, Tuesday 20 May, 8pm for Stonnington Jazz

Vocalist, DJ and PBS broadcaster Chelsea Wilson introduced this two-set gig with lively enthusiasm, and there was every reason to look forward to what was in store from the brothers Rex. Alto saxophonist David, described by expatriate New York pianist composer Barney McAll as “the finest alto saxophonist in Australia today” was joining his sibling, acoustic bass powerhouse Philip. David Allardice was at the piano and Sam Bates was sitting in on drums in the absence of Danny Farrugia.

David Rex

David Rex plays Stonnington Jazz

The quartet played eight pieces, opening with John Coltrane’s Straight Street and closing with the catchy, upbeat Mr Hyde, in which we heard Allardice thoroughly warmed up on the keyboard, an absolute ripper of a bass solo and a strong alto solo to finish.

There was a lot to like in the set — the highlights for me were Philip Rex‘s solos — but either the audience was unresponsive or some interplay was missing between the players, because the vibe did not seem to be there on the night. We heard some super smooth, dreamy sax in David Rex‘s ballad Shades of Colour and some slightly bent alto notes in the classic Body and Soul (“a quick ballad to show how slow we can play”), plus tougher and faster bop in Slap It. But Hammond Song seemed to lack a real buzz and in general the quartet seemed to be finding it hard to fire up the small crowd.

Philip Rex

Philip Rex

I felt that a pianist such as John McAll may have added the pizzazz and flamboyance to arouse the audience on the night. Yet there was no denying the individual talents of the Rex boys on alto sax and double bass.

Tom Lee on bass and David Wilson on alto sax

Tom Lee on bass and David Wilson on alto sax

The second set brought on another alto saxophonist, Tim Wilson, who formed Cannonball to explore the joyous, soulful, grooving music of the great Julian ‘Cannonball’ Adderley. He was joined by Paul Williamson (trumpet), Darrin Archer (piano), Tom Lee (bass), Sam Bates (drums) and Chantal Mitvalsky (vocals).

To be honest, I was hoping to hear this band play pieces such as One for Daddy-O; Sack O’ Woe; Mercy, Mercy, Mercy; Limehouse Blues or Walk Tall, but I had to be content with Work Song among my Adderley favourites.

Chantal Mitvalsky

Chantal Mitvalsky

That said, we were treated to a great trip down memory lane, beginning with the bright opening track The Chant, featuring top solos by Wilson and Williamson. We were not long without vocals and as soon as Mitvalsky came on for Ten Years of Tears — which included great bass work by Lee — the songstress became the focal point of the band. I think it was a tough audience, but Mitvalsky gradually roused them and won them over with the power of her personality and vocal range.

David Williamson

David Williamson

A restrained Williamson solo in If You Never Fall in Love With Me was a treat, as was Wilson’s alto in the bluesey Since I Fell For You, in which Mitvalsky’s vocals were expressive and powerful. In Work Song her forceful vocals carried conviction.The trumpet was another highlight in this piece.

Chantal Mitvalsky

Chantal Mitvalsky

Cannonball delivered the goods and no doubt reminded some in the audience of the Nancy Wilson and Cannonball Adderley association. As a lover of the instrumental Adderley, I had to quell a wish to hear more of the band unadorned, but that’s a personal preference. I reckon Mitvalsky’s presence made the night for many at Chapel Off Chapel.

ROGER MITCHELL

Stonnington Jazz 

Tim Wilson

David Rex

THE AGE OF ENTITLEMENT IS BACK

Mingus Amongst Us

Mingus Amongst Us at Bennetts Lane Jazz Club in July 2013

PREVIEW: Stonnington Jazz, 15-25 May 2014

Joe Hockey says the age of entitlement is over, but he is wrong. Over the next few weeks there will be no deficit of live improvised music in Melbourne and that is only fitting. As promises are broken and voters wake up to exactly what terrible things they initiated by voting to stop the boats, we are entitled to seek comfort in music.

The winter season of jazz festivals is almost upon us and, in the absence of a jazz fringe festival this year, Stonnington Jazz — which last year was judged Best Cultural, Arts or Music Event in Victoria at the Australian Event Awards — is first up.

If you’ve never been before, this showcase of 100 per cent Australian jazz (often including expat artists now living abroad) has two main venues, Malvern Town Hall and Chapel Off Chapel, plus a bunch of other bars and restaurants in the city. At the opening night, the town hall is tastefully decked out and guests can watch it all unfold while seated at tables and enjoying drinks and snacks from the bar at the rear.

This year opening night on Thursday, May 15 will feature New York-based expatriate vocalist Chris McNulty — winner of the Bell Award for Best Jazz Vocal Album of 2013 — and singer, songwriter and pianist Sarah McKenzie, also now living in New York, who won the 2012 ARIA Award for her album Close Your Eyes.

Stonnington Jazz this year will feature two concerts celebrating family connections in music. Popular multi-instrumentalist James Morrison will perform with his sons William and Harry in the James Morrison Inheritance on May 22 at Malvern Town Hall. And clarinet player Denis Ball will perform with his son, trumpeter Eugene, in a sextet at Chapel off Chapel at 2pm on May 18.

Other drawcards will be much-loved vocalist Vince Jones performing with Monash University Jazz, an ensemble comprising students that features Rob Burke on sax and Paul Grabowsky on piano.

Dance lovers will be energised by The Melbourne Rhythm Project, which brings together The New Sheiks and dancers led by Ramona Staffield.

And for something completely different, pianist-singer-composer Martin Martini will presents his suite ‘Vienna 1913’ which draws inspiration from the art and lives of the major modernists of the time, such as Schiele, Klimpt, Koskoschka and Hoffmann.

Lovers of traditional jazz will be given an opportunity to celebrate the 30th anniversary of The Syncopators in a special concert at Malvern Town Hall.

That’s pretty much where the press release information finishes, although it does also mention that festival patron Allan Browne will be plying his drums with Sydney saxophonist Phil Noy and bassist Tamara Murphy at COC on May 22. It’s one of my predicted highlights, which this year are almost entirely chosen from the line-ups at Chapel Off Chapel — a real favourite place of mine to hear live music because it’s possible to get up close and personal with the music.

So here are my recommendations, for what they’re worth:

Saturday 17 May, COC, 8pm, Sexteto Zona Sul/Panorama Do Brazil
Doug de Vries, on guitar, will feature in both sets of this night of Brazilian-influenced jazz.

Sunday 18 May, COC, 2pm Sugarfoot Ramblers/Denis Ball & Eugene Ball
Tap your foot to 20 musicians in the first set, then enjoy the chance to hear father and son in a superb sextet.

Monday 19 May, COC, 8pm Mingus Amongst Us
This celebration of the blues and gospel-influenced compositions of Charles Mingus will enthral and excite. Don’t miss it.

David Rex

David Rex

Tuesday 20 May, COC, 8pm David Rex Quartet/Cannonball
Check out the power of the Rex brothers then enjoy a sack o’ woe from Cannonball Adderley, as interpreted by Tim Wilson and friends.

Joe O'Connor

Joe O’Connor at the National Jazz Awards, Wangaratta

Thursday 22 May, COC, 8pm Joseph O’Connor Trio/Browne Noy Murphy
Check out the compositions of young National Jazz Awards winner O’Connor on piano, then be prepared for whimsical humour and great expression from Al Browne, Phil Noy on reeds and Tamara Murphy on double bass.

Mirko Guerrini

Mirko Guerrini performs in Acquacheta at Wangaratta Jazz Festival

Friday 23 May, COC, 8pm Acquacheta/Grabowsky Sanzone: The Italian Project
Saxophonist Mirko Guerrini’s project with guitarist Stephen Magnusson was a hit at Wangaratta last year, and whatever Grabowsky and Sydney vocalist Virna Sanzone create will be worth hearing.

Saturday 24 May, COC, 8pm Chantal Mitvalsky/Paul Williamson Hammond Jazz Party
Always a hoot to enjoy the warm, wonderful vibe of this party sporting a Hammond B3.

Saturday 24 May, MTH, 8pm The Syncopators 30th Anniversary
Expect this to be packed.

Sunday 25 May, COC, 8pm Marinucci Grant Quintet/Alan Lee Quartet Reunion
Great line-up for the first set with Gianni Marinucci (trumpet, flugelhorn) and Steve Grant (cornet), Tony Gould (piano), Frank Di Sario (bass) and Danny Farrugia (drums). And then Alan Lee will reunite with old friends Gould, Derek Capewell (bass) and Ted Vining (drums).

There are many more concerts to enjoy, including Bob Sedergreen and friends in a set after the Stonnington Youth Jazz Initiative on May 21.

Think about it. Promises are being broken. Taxes are being raised. Retirements are being delayed. Renewable energy is being wound down. Global warming is being ignored. The ABC is being cut. The workforce is being casualised.

My suggestion is to get out now and enjoy live music before the end of the world as we know it eventuates.

ROGER MITCHELL

TO BOOK TICKETS: Phone 82907000 or go to www.chapeloffchapel.com.au

For full program information go to: www.stonningtonjazz.com.au

SLIP OUT OF THOSE COMFORT ZONES

PREVIEW PART 2: Melbourne International Jazz Festival, May 30 to June 8, 2014

An earlier post mentioned some of the gigs that will attract the big crowds at this year’s festival, which artistic director Michael Tortoni has described it as “the broadest, most inclusive ever”.

Before mentioning some concerts that are a little less mainstream, it’s important to highlight the successor to a major hit of last year’s festival, which is sure to again fill Melbourne Town Hall with dancers having the time of their lives.

Swing Noir

774’s Swing Noir will be a hoot                            (Image supplied)

This year, 774’s Swing Noir concert will offer gypsy swing and hot club jazz as Swing Patrol dancers provide the inspiration and help with classic steps of the Charleston, and two bands — Ultrafox and Swingville — delve into the world of Django Reinhardt and the Hot Club of France. The festival invites the energetic to “slip on your dancing shoes, dress to kill and join us at the dawn of European jazz”. And for fans of ABC radio’s 774, the host will be Hilary Harper, who will apparently be “dazzlingly bohemian” on the night.

STRETCH YOURSELVES

It’s been said many times before, but festivals are one way to tempt music lovers to dip their toes into unfamiliar waters. Sometimes this means “jazz” becomes less of a perceived obstacle; sometimes devotees of jazz try moving outside their comfort zones.

And speaking of breaking boundaries, one significant change of this year’s MIJF is Jazz Out West, which for the first time will bring some musical events to Melbourne’s west. That’s especially exciting for Ausjazz, because there are many musicians living in this part of the city, but live music is not as prolific and does not attract the crowds of suburbs such as Northcote — yet.

Satsuki Odamura

Satsuki Odamura

The big drawcard will undoubtedly be cross-cultural sextet Peter Knight’s Way Out West at Footscray Community Arts Centre. Many will know the albums released by an earlier incarnation of this award-winning ensemble, but this outing will air new compositions written since Sydney’s koto virtuoso Satsuki Odamura and Lucas Michailidis on guitar came onboard.

Led by Peter Knight, their fascinating new project features the seamlessly combining Asian instrumentation and approaches with irresistible influenced grooves and jazz-inflected melodies. Others in this top line-up include Knight on trumpet and laptop, Howard Cairns on bass and button accordion, Paul Williamson on saxophones, Ray Pereira on percussion and Rajiv Jayaweera (rejoining the group from New York) on drums. I can’t wait to hear the new material and let’s hope there’s room for a few Westies to fit into a packed venue.

Other western offerings include Horns of Leroy — a funky brass band — at the Reverence Hotel, Hey Frankie at The Dancing Dog, Afro Beat — with an Ethiopian meal — at African Town Café Bar, and Soundwalk, in which Aboriginal elder Uncle Larry and others will lead a walking and listening tour of the streets, waterways and secret spaces of Footscray.

At last year’s MIJF crowds of younger fans crammed in to catch Snarky Puppy, and Tortoni expects similar enthusiasm for bassist Derrick Hodge and vocalist Chris Turner, who perform at The Forum.

In this “festival exclusive” billed as “exciting, cutting edge stuff on the razor’s edge of new generation jazz”, Hodge — who performed with The Robert Glasper Experiment in 2012 — and Turner — who many will recall from ERIMAJ last year — will be joined by Federico Pena and Michael Aaberg on keys, Paul Bender on bass and Mark Colenburg on drums. The combination of Hodge with Turner could take this concert in many directions.

In four gigs at Bennetts Lane, the man dubbed “probably the most dangerous drummer alive” — Chris Dave — will defy all attempts at categorisation, bringing elements of R&B, funk, rock, jazz, hip-hop and electronica via his band The Drumhedz. Expect hypnotic beats.

Serious fans of music that ventures into exciting territory must mark their digital diaries for a Malthouse double bill from Australia — Alister Spence Trio — and the USA — Dawn of Midi. Spence’s trio is well known here and accurately described as “endlessly surprising”. Brooklyn trio Dawn of Midi — Amino Belyamani piano, Aakassh Israni double bass and Qasim Naqri percussion — has been lauded for the album Dysnomia. Expect the unexpected from both trios in a concert not to be missed.

Kristin Berardi

Kristin Berardi

Also at the Malthouse, significant figures in Australian jazz — John Hoffman, Graeme Lyall, Tony Gould, Ben Robertson and Tony Floyd — get together for the first time in 20 years to form The Hunters and Pointers. Joined by award-winning vocalist Kristin Berardi, they will celebrate the release of a collection of unheard live recordings that originally featured Christine Sullivan on vocals.

Julien Wilson

Julien Wilson

Another Malthouse double bill will be a musical treat. In one set, the winner of this year’s Don Banks Music Award and member of the Jazz Bell Awards hall of fame, Mike Nock, will join his former student, drummer Laurence Pike. In the other one set, saxophonist Julien Wilson — who was a star of the 2013 Wangaratta Jazz and Blues Festival — will again visit the quartet format with New York-based pianist Barney McAll, Sydney bassist Jonathan Zwartz and Melbourne drummer Allan Browne. This double bill will not disappoint.

The Monash Art Ensemble, led by Paul Grabowsky, never disappoints, so seat belts may need to be fastened when this exciting ensemble of students and seasoned players teams with British jazz maverick, pianist and composer Django Bates and his piano trio, Belovèd. Together they will explore the music of Charlie Parker as well as Bates’ compositions.

As mentioned in the earlier preview post, Charles Lloyd’s The Greek Project clashes with an exciting world premiere of PBS Young Elder of Jazz Commission winner Tilman Robinson’s The Agony of Knowledge at Bennetts Lane Jazz Club. Robinson has demonstrated his facility for composition, so his musical exploration of the Icelandic epic poem Volsungasaga promises to be a festival highlight. The work will draw on Norse legends that have influenced music and literature for centuries, as exemplified in Wagner’s Ring Cycle and Tolkien’s The Lord of the Rings.

Sydney musicians at Deakin Edge, Fed Square will explore jazz and film in The Wires Project, a collaborative multi-media work in which vocalist Briana Cowlishaw, Gavin Ahearn on piano, Peter Koopman on guitar and Nic Cecire on drums improvise a musical response to a video by Aymeric De Meautis based on photographs by Singapore’s Chia Ming Chien. The bonus is that this experience is free.

Ausjazz had hoped to preview the intimate club sessions at MIJF 2014, which are the meat and potatoes of this festival and my favourites. Time has ruled that out, so stay tuned for further festival posts and reviews.

ROGER MITCHELL