Tag Archives: Jacq Gawler

IN SUPPORT OF SUPPORT ACTS

Johnny Tedesco

Johnny Tedesco and Chris Hale perform Sylvan Coda

REFLECTION:

Christopher Hale’s Sylvan Coda opens for Jorge Pardo “Huellas” at Melbourne Recital Centre, Saturday 31 May at 7.30pm

Here and Now opens for Larry Carlton Quartet at Melbourne Recital Centre, Wednesday 4 June at 7.30pm

In any international festival the established practice is for the visiting performers, as the main drawcards, to be on stage for much longer and to be preceded by support bands from Australia. This is a good way for our home-grown musicians to share in the festival limelight and potentially gain a following from the larger audiences who appear out of the woodwork.

I am always disappointed to notice how many seats that are vacant during the opening set and yet are filled when the main performers come on stage. It is a pity not only because it shows disrespect for Australian musicians, but also because the patrons who arrive late are likely to miss hearing some very talented and inventive artists.

The opening sets at MRC this year seem to be way too short. I have not heard any complaints from our “local” musicians — possibly they are glad to have even such limited exposure in such a large festival — but the balance does seem to have swung too much towards the main acts on the bill.

In the case of Christopher Hale’s Sylvan Coda, which opened for Jorge Pardo‘s flamenco jazz, what the audience heard and saw was a tiny taste or fragment of the original suite. I’m sure Johnny Tedesco‘s fantastic flamenco footwork was a highlight for many in the audience — I was struck by how his feet called to mind the fluttering of butterfly wings and the feather-light, incredibly rapid work by some drummers I’ve heard — but it would have been impossible to convey the way in which the original suite changed and developed.

Anyone who liked the snippet provided in this opener should watch for another performance of the full Sylvan Coda.

Sylvan Coda

Johnny Tedesco, Chris Hale, Nathan Slater and Ben Vanderwal in Sylvan Coda at Melbourne Recital Centre

Sylvan Coda

Jacq Gawler, Hannah Cameron, Gian Slater and Julian Banks

Chris Hale

Chris Hale

The other short opening set deserving special mention at MRC so far this year was the performance by Here and Now before the Larry Carlton Quartet.

I left a little early from Carlton’s set — to get to another festival gig and also because the music being played did not excite me. But a clear standout for me was the work of Andrea Keller on piano, Nilusha Dassenaike on vocals, Alex Pertout on percussion, Evripides Evripidou on bass and David Jones on drums.

I should confess that on this rainy evening I was tempted to arrive at 8.15pm to catch the main act, but decided I should respect the artists performing first. I am so glad I did.

Although this set was short, I felt that it took us to quite a special place. Each member of the ensemble contributed significantly, but Evripidou on bass was inventive and I found Keller’s solo, without needing to be loud, filling the auditorium as well as my being. I believed it would be one of the best piano solos of the festival. Her notes seemed to be drawing the audience into a state of total absorption. Dassenaike’s voice was integral to this meditative set.

Here and Now plays Melbourne Recital Centre

Here and Now plays Melbourne Recital Centre

Andrea Keller

Andrea Keller

Alex Pertout, Nilusha Dassenaike and Evripides Evripidou

Alex Pertout, Nilusha Dassenaike and Evripides Evripidou

Here and Now musicians take a bow.

Here and Now musicians take a bow.

I’d like to see opening acts given a fairer allocation of time in future festivals. But one thing is certain — it is never wise to come late and miss out on what comes first. It could well be what you appreciate most.

ROGER MITCHELL

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A FESTIVAL GIVES VOICE

Johnny Tedesco

Johnny Tedesco in Chris Hale’s suite Sylvan Coda, which will close Stonnington Jazz.

PREVIEW: Stonnington Jazz 2013, May 16 to 26

In last year’s preview of this much-loved festival I wrote, “It’s a big year for vocalists”. Well, back then we didn’t know what “big” meant. So, to borrow the words of Paul Hogan as Dundee, 2012 wasn’t a big year, THIS is a big year for vocalists.

It’s taken some ferreting about in the program, and I may have missed some, but on my count 22 vocalists are performing at Stonnington Jazz this year in 18 concerts, with two taking to the stage twice. You have to admit that for a festival lasting 11 days to provide patrons with so much vocal talent is an amazing achievement. By the way, of the 22, only four are men, so there is a definite gender imbalance. But among instrumental players it’s skewed in the other direction.

This year’s outings do not all feature vocalists, of course, but a look at the singers’ gigs is a good place to start when browsing the program with a view to selecting highlights.

Kristin Berardi

Winning vocals: National Jazz Awards winner Kristin Berardi at Wangaratta.

The opening night concert at Malvern Town Hall on Thursday 16 May at 8pm will feature National Jazz Awards winners Michelle Nicolle and Kristin Berardi in a Jazz Vocals Showcase. Both are well known and much-loved artists, with extensive experience and acclaim. Nicolle will be accompanied by her long-standing band, Geoff Hughes (guitar), Tom Lee (bass) and Ronny Ferella (drums). Berardi will treat us to Sydney musicians Carl Morgan (guitar), Greg Coffin (piano), Brendan Clarke (bass) and Tim Firth (drums).

It’s worth running through all the other vocals gigs in date order:

Thursday 16 May, Globe Café, 8pm: Rita Satch
Jazz standards and originals from Satch’s EP Awoken. Band: Luke Howard (keys), Phil Rex (double bass) and Hugh Harvey (drums)

Thursday 16 May, Red Bennies, 7pm: Herb Armstrong
Floor show featuring the music of Louis Armstrong as well as Zydeco and Second Line grooves by Brisbane’s Herb Armstrong and The Royal Street Krewe.

Friday 17 May, Globe Café, 8pm: Tamara Kuldin
Sass and sophistication of the vintage eras from Melbourne’s Tamara Kuldin with Paul Williamson (tenor sax, vocals), Steve Paix (keyboard) and Kim May (bass).

Saturday 18 May, Globe Café, 8.15pm: Rebecca Mendoza
Music of Billie Holiday by Melbourne’s Rebecca Mendoza (daughter of jazz pianist Noel Mendoza), accompanied by Joe Ruberto on piano and piano.

Sunday 19 May, Chapel Off Chapel, 2pm: Julie O’Hara
Swinging classic jazz in the “gypsy swing” style by Ultrafox vocalist Julie O’Hara with guitarist Peter Baylor, Michael McQuaid (saxophone, clarinet), Jon Delaney (guitar) and Andrew Scott (bass). Another set will feature Coleman Hawkins songs by saxophonist Michael McQuaid’s Coleman Medallists.

Sunday 19 May, Globe Café, 5pm: Mandy Meadows
Jazz infused with soul, Motown and blues from Meadows with Alexander Nettelbeck (keyboard), Aaron Searle (saxophone, woodwinds, guitar), Andrew Horneman (drums, guitar) and Jon Mellor (electric bass).

Vince Jones

Much-loved: Vince Jones performs at Stonnington Jazz.

Sunday 19 May, Trak Live Lounge Bar, 8pm: Vince Jones
Originals and contemporary versions of jazz standards by much-loved jazz vocalist, trumpet-player and composer Jones with Simon Barker on drums, Matt McMahon on piano and Ben Waples on bass.

Tuesday, 21 May, Chapel Off Chapel, 8pm: Josh Kyle
Interpretations of Australian jazz compositions, sung by Kyle with pianist Sam Keevers under the title Songs of Friends.

Wednesday 22 May, Chapel Off Chapel, 8pm: Cameron Giles-Webb and Hetty Kate
Pianist Steve Sedergreen’s band features these vocalists with Gianni Marinucci and Brae Grimes (trumpets), Dave Palmer (trombone), Lachlan Davidson and Paul Williamson (saxophones), Shane Ryall (guitar), Kim May (bass) and Michael Jordan (drums). Another set by Anton Delecca Quartet.

Wed 22 May, Café Latte Upstairs, 8.30pm: Emma Franz
Filmmaker Franz is a guest with a trio led by pianist Dr Allan Zavod, who has played The Glen Miller Orchestra, Frank Zappa, Sting and Jean-Luc Ponty.

Thursday 23, Chapel Off Chapel, 8pm: Jacki Cooper
One-off outing by Bob Sedergreen’s Come Together Band with Cooper on vocals, George Golla guitar, John Morrison drums, Mal Sedergreen saxophone, Gareth Hill bass and Dave Palmer as trombonist, arranger and bandleader.

Thursday 23 May, Globe Café, 8.15pm: Diana Clark
Interpretation of the Brazilian music of Antonio Carlos Jobim and other pioneers of Bossa Nova by vocalist Clark and guitarist Doug de Vries.

Monique diMattina

Monique diMattina has recorded an album in New Orleans. (Image supplied)

Friday 24 May, Chapel Off Chapel, 8pm: Monique diMattina and Kate Kelsey-Sugg
Originals by singer-pianists. Monique diMattina dips into her latest album, Nola’s Ark, recorded in New Orleans, which draws inspiration from traditional jazz, blues and R&B, accompanied by Eamon McNelis trumpet & vocals, Stephen Grant accordion, Paul Williamson saxophone, Doug de Vries guitar, Howard Cairns sousaphone & bass and Tony Floyd drums. Kate Kelsey-Sugg, who took second prize at last year’s National Jazz Awards is joined by her father, Andy Sugg saxophone, McNelis trumpet, Marty Holoubek bass and Aaron McCullough drums.

Friday 24 May, Globe Café, 8pm: Julie O’Hara
Elegant, romantic, swinging and hot ’30s and ’40s Paris club music delivered with some vocalese by vocalist and composer O’Hara and her band.

Saturday 25 May, Chapel Off Chapel, 8pm: Hetty Kate
Elegant, swinging interpretations of standards by Kate with Daniel Gassin (piano), James Sherlock (guitar), Marty Holoubek (bass) and Danny Farrugia (drums). Second set by the always uplifting Paul Williamson Hammond Combo.

Saturday 25 May, Globe Café, 8.15pm: Fem Belling
Music of Ella Fitzgerald, Billie Holiday, Blossom Dearie, Sarah Vaughan, Liza Minnelli by vocalist and violinist Belling backed by Joe Ruberto on keyboard.

Fitzgibbon and Sherlock

Nichaud Fitzgibbon performs at Stonnington Jazz in 2009 with James Sherlock.

Sunday 26 May, Malvern Town Hall, 2pm, Nichaud Fitzgibbon
Tribute to Peggy Lee by Fitzgibbon, who continues the legacy her father began at Smacka’s Place. Accompanied by Luke Howard (piano), James Clark (bass), Danny Fischer (drums), Craig Fermanis (guitar), Anton Delecca (saxophone), Paul Coyle (trumpet) and Dave Palmer (trombone).

Emma Gilmartin and Gian Slater

Emma Gilmartin and Gian Slater in Sylvan Coda, which will close the festival.

Sunday 26 May, Chapel Off Chapel, 2pm: Gian Slater, Jacq Gawler, Emma Gilmartin
Sylvan Coda suite by bassist Christopher Hale, winner of the 2012 Freedman Jazz Fellowship, with flamenco and Afro-Cuban influences. Also features Johnny Tedesco (percussion, dance), Nathan Slater (nylon-string guitar), Julian Banks (saxophone), Simon Barker (drums, percussion) and Javier Fredes (percussion). Opening set by Red Fish Blue.

The performance of Sylvan Coda will be a highlight, I’m sure. The performance at Bennetts Lane in February this year was a beauty — read Ausjazz blog’s review.

The other outings I’m particularly looking forward to — if I don’t have to work — are as follows:

  • Jazz in Focus at 6pm on 17 May (Allan Browne shares stories about his career in a free session presented by APRA at the Globe Cafe)
  • The Australian Art Orchestra’s Hard Core on the Fly at Chapel Off Chapel on 20 May at 8pm  — spontaneous solo and ensemble improvisation in which younger musicians work with Scott Tinkler (trumpet), Peter Knight (trumpet, laptop, electronics), Erkki Veltheim (violin), Simon Barker (drums), Brett Thompson (guitar), Scott McConnachie (alto saxophone), Matthias Schack-Arnott (percussion) and Ida Duelund Hansen (double bass).
  • The second set at Chapel Off Chapel on the evening of 21 May, when drummer, band leader, raconteur and poet Allan Browne will lead a sextet through original music inspired by his published poetry, Conjuror. Allan will be joined by Eugene Ball (trumpet), Phil Noy (saxophone), Marc Hannaford (piano), Geoff Hughes (guitar) and Nick Haywood (drums).
  • Sydney-based and internationally renowned pianist Mike Nock will play a set of improvisations with guitarist Stephen Magnusson and saxophonist Julien Wilson at Chapel Off Chapel during a performance — including a set from the Jex Saarelaht Trio — beginning at 8pm on 23 May. Nock’s gig with Magnusson at Wangaratta last year was magnificent.
  • Recent inductee to the Australian Bell Awards Hall of Fame, James Morrison will join pianist Joe Chindamo at the Malvern Town Hall at at 8pm on Friday, 24 May. In the first set Chindamo, accompanied by Philip Rex (bass) and Danny Fischer (drums), will rearrange familiar music as a tribute to Dave Brubeck. Morrison and Chindamo will then play duets or with Rex and Fischer.

That’s the preview. It’s a feast for lovers of vocals, with lots of other highlights. And of course Stonnington Jazz is always a  friendly festival with a really nice vibe. That may be in part because it is displaying the talents of Australian jazz musicians.

Full program details are available at Stonnington Jazz website.

ROGER MITCHELL

AUDIENCE APPLAUSE A FITTING CODA

Sylvan Coda

Vocalists Jacq Gawler, Emma Gilmartin and Gian Slater, with Julian Banks, perform with Sylvan Coda at Bennetts Lane.

REVIEW: Christopher Hale’s Sylvan Coda, presented by the Melbourne Jazz Co-operative at Bennetts Lane Jazz Club, 9 pm Tuesday 12 February 2013

This was a fantastic gig — one that will long sustain those who were there to hear it and cause those who missed out to wish they had managed to make it. Sylvan Coda live demonstrated the power of performers who are right there so close you can almost touch them and who create electricity so tangible you can almost feel the audience glowing.

I could not help recalling Carlos Saura’s film Flamenco, which has no story other than dance, yet is absolutely compelling from start to finish.

I also must own up to a conversion of sorts. The inventive choral work of Gian Slater with Invenio has not always grabbed me, if only because the wordless repetition — while exquisitely rendered — has seemed at times not to allow the singers to take the audience on enough of a journey. Clear exceptions to this are Slater’s 2010 APRA Commission work Gone Without Saying, and her late 2012 outing at Northcote Town Hall entitled Self/Echo and Clarion/Whisper, both of which were superb. But when Slater’s voice joined those of Emma Gilmartin and Jacq Gawler (Coco’s Lunch) for Sylvan Coda, I became a convert. It was wordless and it was repetitive, but it worked so well in the context of Hale’s composition. Drama and intensity were complemented by vocal beauty.

The Sylvan Coda album launched last year features Hale, Gian Slater, Nathan Slater on nylon string guitar, Julian Banks on tenor sax, Ben Vanderwal on drums, Javier Fredes  on percussion), Denis Close on snare drums, caxixis (small basket filled with seeds) and repinique (Brazilian drum), Johnny Tedesco  on cajon and palmas (hand percussion), Richard Tedesco on frame drums and palmas and Lachlan Carrick on effects and textural percussion.

The album is impressive. It is a powerful work. But I believe the addition of Gawler and Gilmartin, Danny Fischer on drums and, of course, the accomplished physicality of Johnny Tedesco’s flamenco in Solea por Bulerias gave so much feeling, life and energy to this performance of Sylvan Coda that the character of the work changed. The album has a sombre feel in parts, but the live outing added verve and focus. I found one duet by Gilmartin and Gian Slater entrancing.

The sustained applause that greeted the ensemble at the evening’s end spoke volumes. This was a coda to remember.

ROGER MITCHELL

See also:

The review in The Age by Jessica Nicholas

Pictures from Sylvan Coda live:

Nathan Slater

Nathan Slater

Gian Slater

Gian Slater

Jacq Gawler

Jacq Gawler

Emma Gilmartin and Gian Slater

Emma Gilmartin and Gian Slater

Emma Gilmartin

Emma Gilmartin

Johnny Tedesco and Chris Hale

Johnny Tedesco and Chris Hale

Johnny Tedesco

In full flight: Johnny Tedesco

Johnny Tedesco

Rhythm: Johnny Tedesco

Gian Slater and Julian Banks

Gian Slater and Julian Banks

Sylvan Coda

Which Way Music has released the album Sylvan Coda.

See also:

The review in The Age by Jessica Nicholas