Tag Archives: Allan Browne Quintet

A FUTURE WITHOUT AL BROWNE IS UNTHINKABLE YET

Allan Browne

Allan Browne

AFTER days of sunshine uncharacteristic to British Columbia, Canada, it is a grey day in Prince Rupert. That seems appropriate as I feel a deep sense of loss, sharing at a distance what many are feeling — a sense of disbelief that Allan Browne is no longer with us.

He was supposed to be the host for the final night at Bennetts Lane. He was supposed to carry on the tradition of Monday nights, at Uptown. He was supposed to always be there, to bring us warmth and laughter and the love of music that welled deep within him and emerged so often in that heartfelt endorsement from the drum kit, “yeaaaaahh”.

Others have written tributes to Al in the past few days that have moved us and brought tears and a realisation of what he meant to so many. His presence — and now absence — has been in my mind so much since I heard the news. Not unexpected, it may be, as Adrian Jackson observed, yet hard to accept all the same.

Allan once wrote of his close friend and fellow musician, the late bassist Gary Costello, “I still can’t get used to the past tense, a future without Gaz is unthinkable yet. We both loved e.e.cummings …” Well, I’m certain that many of us will be thinking that a future without Al Browne is unthinkable yet, and that we won’t get used to talking about him in the past tense.

This was supposed to be a review of this year’s Melbourne International Jazz Festival, which would have been hard enough after the wrench from that bustle of gigs and the imminent closure of Bennetts Lane into the mode of international travel. Now it must be about Al Browne, whose quintet brought us a new work, Ithaca Bound, inspired by Homer’s Odyssey. Allan’s odyssey has ended, but his journey will remain with us.

The recent loss of Ornette Coleman is also deeply felt. His great contribution to improvised music will also sustain us long into the future.

It feels as if the jazz scene in Melbourne is in a period of major change. Bennetts Lane is closing, but, as Marc Hannaford points out, there are many outlets for jazz in the city. Also, new venues will arise from the ashes of Bennetts — they will have to develop their own character and characters over time.

Cuts to the ABC meant that Gerry Koster, host of Jazz Up Late, had to move on. Let’s hope he can bring his breadth of knowledge and taste for adventure into something new, because the demise of his program was a significant loss. As was the separation of Adrian Jackson from the programming of Stonnington’s festival of Australian jazz. The new arrangement may have soul, but I am yet to be convinced that it has that rare ability to bring us exciting and unexpected juxtapositions of players in what has been one of my favourite festivals.

Funding shortfalls have also curbed the nurturing and mentoring role of Martin Jackson’s Melbourne Jazz Cooperative. It will have a new home at Sonny’s Uptown Jazz Café, which is great, but it may be necessary to mount a public campaign to gain more financial backing for this vital cog in the Melbourne jazz machine.

But we move on. Jazz is, after all, about improvisation. The musicians make decisions on the run every time they play, and we mostly love the results. What will the rest of this year and the next bring to the Melbourne scene? We await that with interest.

Vale Allan Browne. See ya, mate.

ROGER MITCHELL

In 2010, before his quintet ushers the Stonnington Jazz audience into his quintet’s suite A Season In Hell, Allan Browne tells of his personal journey to the brink: CLICK TO READ THE INTERVIEW

Allan Browne

Allan Browne

Allan Browne

Allan Browne

Allan Browne

Allan Browne

Allan Browne

Allan Browne

Allan Browne

Allan Browne

Advertisements

FIRST A DRUNKEN BOAT, THEN PIANO ROMANCE

Allan Browne

Allan Browne plays Uptown Jazz Cafe

SNAP PREVIEWS: MIJF CLUB SESSIONS

Monday 2 June 2014

BENNETTS LANE 7pm: Allan Browne Quintet performs The Drunken Boat, a suite exploring Rimbaud’s poem about a vessel lost at sea. Don’t miss the chance to hear this performed live and hear Eugene Ball on trumpet with a great band.

Livio Minafra

Livio Minafra                    (image taken from his website)

BENNETTS LANE 9.30pm: Livio Minafra from Italy performs exuberant and romantic solo pieces on piano.

TOP 10 ALBUMS FOR 2010

ROGER MITCHELL picks his favourite albums for the year

A top 10 is a little like a star rating — how can diverse albums be assessed against each other according to some sort of merit test? But I’ve been happy over the past few years to prepare such a list for the Sunday Herald Sun‘s Play liftout because it is another way for people to hear about albums they may like to buy and enjoy. Reviewers were given 15 words in which to describe each album. I chose from albums I’d reviewed during the year, so there are many good albums not considered because I did not manage to review them. The main test I applied for this top 10 was to ask myself which albums I had played most since writing the review.

Joe Chindamo

1 Joe Chindamo
Another Place, Some Other Time
Interpretations of Coen brothers film music vie with the originals in their power to move.

Mike Nock Trio

2 Mike Nock Trio
An Accumulation Of Subtleties
Double CD of studio and live sessions is an accumulation of creativity, spontaneity and vibrancy.

Dark Eyes

3 Tomasz Stanko Quintet
Dark Eyes
Polish trumpeter Stanko’s sublimely mournful playing is a brooding presence on his simple, moving compositions.

The Gathering

4 Stu Hunter
The Gathering
Pianist/composer Stu Hunter’s imaginative, compelling second suite is more enthralling and engrossing than his first.

The Effects of Weather

5 Way Out West
The Effects Of Weather
Asian themes seamlessly mesh with jazz grooves, building stories through complex rhythms and horn overlays.

Newell Waltz

6 Howard Cairns Quintet
Newell Waltz
Luxuriant harmonies mingle with melodies and timbres to create moods variously dark, spirited and humorous.

Boggy Creek Bop

7 Snap
Boggy Creek Bop
Reed-only quartet offers many moods and styles, proving you can never have too much sax.

Une Saison en Enfer

8 Allan Browne Quintet
Une Saison En Enfer
Rimbaud’s poem inspires harmonically rich, darkly beautiful pieces with dreamy musing, wistful longing and majesty.

Fiveways

9 Jex Saarelaht Quartet
Fiveways
Standout Stonnington Jazz concert brilliantly captured is testament to the quality of pianist Saarelaht’s quartet.

Meadowlands

10 Luke Howard Trio
The Meadowlands
Sensitive bass and drums accompaniment allows the piano’s lyrical, crystalline beauty to shine. forth.