Tag Archives: ABC

THE MUSIC MUST NOT DIE

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Today is a sad day. It is the final day on which music, other than on The Music Show, will be featured on ABC Radio National.

It is also a day of action, in which all who are dismayed by this decision are using social media, telephones and emails to inundate the ABC during the day to demonstrate the level of our concern and to encourage more listeners to sign the petition calling the ABC board to save RN music.

My radio

My radio

As part of this day of action, we are urged to post images of our radio across all forms of media.

This is my radio. Like me, it is seen many years. It has a solar panel on top. It has a crank at the side that can power the radio in case the batteries go flat. It used to have an aerial. It used to have a torch at one end. It receives AM and FM, but it cannot pick up digital broadcasts. So from today on it will not pick up Mal Stanley’s Jazztrack.

My radio is battered. I could not possibly count the number of times it has fallen off something, the batteries flying out. Yet it plays a vital and essential part of my life. The volume control is dickey, so that the ABC programs I listen to are often either too loud or almost inaudible. It requires sensitive handling. But it always recovers from each fall, to live another day, to continue its broadcasting role.

My radio is like the ABC.  It is often battered. It requires sensitive handling. But it always recovers after a fall.

The crazy decision to excise music from Radio National is a dramatic fall, but the ABC can recover. It can reverse this decision. Music can return to Radio National.

To make that happen, it is important that we support the campaign to save RN music.

Ausjazz.net urges all to support the campaign, to take up this issue with the ABC Board and to broadcast the message that we refuse to accept that the music has died.

Roger Mitchell

On November 30 last year an open letter was sent to Members of the ABC Board and ABC Managing Director Michelle Guthrie. It is reproduced below, along with its signatories. The battle continues.

As musicians and music industry professionals, we are appalled by the decision taken by ABC management to scrap The Daily Planet, The Inside Sleeve, The Live Set and The Rhythm Divine, and to remove Jazztrack from Radio National. This decision was taken without proper industry and public consultation and must be reconsidered and reversed.

The cuts deliver a fundamental blow to diverse, vibrant and independent sectors of the Australian music industry, which receive minimal national radio coverage elsewhere.

These programs are among the remaining windows for Australian artists to tell their stories about Australian life, for people to hear and learn from those stories and for all Australians to hear the songs and stories of other cultures from around the world.

Further, they support and underpin a music sector that, according to Music Australia, contributes between $4 and $6 billion to the Australian economy annually and which generates close to 65,000 jobs, over half of which are full-time.

They are essential listening for those working in this vibrant industry and should not be discarded on the grounds of ratings.

We do not believe that the proposed additions to Double J in any way compensate for Radio National’s losses, especially given that Double J is only available in digital format. We are deeply concerned about listeners in regional, rural and remote areas where the Internet and digital radio access is problematic at best. Many of these listeners rely on linear broadcasting.

It is clear that the cuts contradict the intent and spirit of the ABC Charter, which outlines two of “the functions of the Corporation” as:

  • –  “broadcasting programs that contribute a sense of national identity and inform and entertain, and reflect the cultural diversity of, the Australian community;”
  • –  “to encourage and promote the musical, dramatic and other performing arts in Australia.”

Collectively, The Daily Planet, The Inside Sleeve, The Live Set, The Rhythm Divine and Jazztrack provide specialist, linear broadcasting of diverse music that is not broadcast nationally elsewhere with equivalent depth, breadth and expertise.

This music is often outside the mainstream. It includes folk, roots, world, blues, jazz and adult contemporary, among the many genres. It champions unique voices, small communities, alternative perspectives, story telling (particularly of Australian stories), experimentation, live performance, improvisation and excellence.

Much of this music is released independently by highly-respected Australian musicians who have developed enthusiastic audiences through extensive touring, depending on RN’s Australia-wide reach for promotion. Many perform regularly in regional, rural and/or remote areas.

The shows set for axing also provide promotion and national live broadcasting of numerous Australian music events, including major festivals, such as Byron Bay Bluesfest, Woodford Folk Festival, the National Folk Festival, Port Fairy Folk Festival and Wangaratta Festival of Jazz and Blues, as well as small festivals and community gatherings. These provide regional, rural and remote areas with opportunities for place-making, musical education, tourism and economic growth.

While we value and admire Double J, we do not believe that it can fill the hole left by the cuts, despite additions proposed for 2017. These additions are limited to a four-times weekly (rather than weekly) programming of The Beat Eclectic, which covers “post rock, punk and pop, ambient and acoustic sounds”; the introduction of Fat Planet, which ran on FBi from 2003-2008 and “showcases new music from around the world, such as Scandinavian folk, Japanese dubstep and Chilean post- punk”; and a “new live music show” to feature “new recordings from local and international artists”. Meanwhile, Triple J’s primary focus will remain the youth market.

Without The Daily Planet, The Inside Sleeve, The Live Set, The Rhythm Divine and Jazztrack, how will ABC Radio possibly “reflect the cultural diversity of the Australian community”?

We also emphasise the importance of RN Music’s expert broadcasters. Lucky Oceans, Paul Gough, Geoff Wood and Alice Keath are some of Australia’s most experienced, knowledgeable, passionate and intelligent musical minds. The casting off of these irreplaceable staff members contradicts RN’s commitment to “specialist content across arts and culture” broadcasting, as outlined on RN’s website.

We are far from alone in our opposition. A petition to save RN Music, launched on November 14th, has already attracted over 12,000 signatures, and numerous high-profile figures – both Australian and international have officially endorsed the petition statement. These include Paul Kelly, Missy Higgins, Archie Roach AM, Gurrumul, Kate Ceberano, Tim Winton, Neil Murray, Sarah Blasko, Megan Washington, Mike Nock, Shane Howard AM, Don Walker, Tim Freedman, Lindy Morrison OAE, Glen Hansard, Andy Irvine, Gina Williams, Paul Grabowsky AO, Rob Hirst, Deborah Conway, John Butler, Iva Davies AM, the Waifs and many, many more.

In a public statement, author Tim Winton writes:

“At a time when it seems every element of home-grown culture is under siege, it’s bewildering to see Radio National stripping music shows from its programming. To musicians, composers, producers and listeners alike, this retreat feels like a betrayal, a signal that ABC management feels no need to repay the loyalty of its audience. For years Radio National has been a defender of Australian culture and a means by which new writers, players and composers find an audience.”

Also in a public statement, Katie Noonan writes:

“I simply can not fathom how anyone would have thought this was a good idea for the Australian people … In regional Australia these radio shows are literally the lifeline for cultural connectivity … Having been lucky enough to tour this great big country of ours many times, I know how absolutely vital these programs are to people’s lives … The catastrophic effects of these cuts will be enormous on multiple levels – this decision has simply not been thought through properly and absolutely needs to be reversed”.

We urge the Board and management to respond to the following questions:

  1. (1)  Can you assure the listening public that the changes will not reduce the diversity of music styles played, the amount of new Australian music promoted, the number of Australian musicians profiled and the resources devoted to these activities?
  2. (2)  Will the changes reduce regional access to Australian music?
  3. (3)  Is the ABC confident the changes won’t reduce audiences for the genres covered by RN Music, or adversely impact the live music ecosystem for these musicians and their audiences?
  4. (4)  Has the ABC considered, in delivering on its charter, its responsibility to the broader music community and to the country, to contribute to an original, national musical culture and identity, to support viable careers and to support an important national industry, culturally and economically?

We also ask the board to look at the thousands of comments on the petition as well as others on social media.

https://www.savernmusic.com

Finally, we again call on the ABC to review this ill-considered decision, as outlined in the petition statement, and to return The Daily Planet, The Inside Sleeve, The Live Set, The Rhythm Divine and Jazztrack to Radio National in 2017. It’s our ABC.

We would be happy to discuss these issues further.
Link to petition: https://www.change.org/p/michael-mason-hands-off-radio-national-music

Yours Sincerely,
Ruth Hazleton & the ‘Hands Off Radio National Music’ campaign team.

Adrian Jackson – Artistic Director Wangaratta Jazz & Blues Festival Andrew Legg – UTAS Director, Conservatorium of Music
Andy Irvine (Ireland)
APRA/AMCOS Board
Archie Roach AM
Association of Australian Musicians (AM)
Australian Independent Musicians Association (AIMA)
Barney McAll – Peggy Glanville Hicks Resident
Ben Northey – Associate Conductor MSO
Bernard Fanning
Black Market Music
Bob, Margaret & James Fagan
Brett Kingman
Cameron Undy – Owner Venue 505
Chong Lim – MD John Farnham/Dancing with the Stars
Chris Wilson
Craig Scott – Chair of Jazz Studies Sydney Conservatorium of Music Country Music Association of Australia (CMMA)
David Spelman – Artistic Director NY International Guitar Festival Dan Sultan
Deborah Conway
Djakapurra Munyarryun
Djolpa McKenzie
Dobe Newton
Don Walker
Eddie Perfect
Elizabeth Rogers, CEO Regional Arts NSW
Fairbridge Festival
Fred Smith
Folk Alliance Australia
Genevieve Lacey
Gina Williams
Glen Hansard (Ireland)
Greg Fleet
Gurrumul Yunupingu
Head Records
Helen Marcou & Quincy McLean – SLAM & Bakehouse Studios
Iain Grandage – Artistic Director Port Fairy Spring Music Festival
Iva Davies AM
James Morrison AM
Jamie Oehlers – Coordinator of Jazz Studies, WAAPA, Edith Cowan University Jack Charles
Jane Clifton
Jazz Queensland
Jeff Lang
Jim Conway
Joe Camilleri
Joe Geia
Joe Henry (US)
John Butler
Jonathan Dimond – Head of Program/Senior Lecturer, Melbourne Polytechnic Julian Burnside AO QC
Dr Jon Rose (Don Banks Award)
Jordie Lane
Kate & Phil Ceberano
Katie Noonan – Artistic Director Queensland Music Festival
Kavisha Mazella
Ken Stringfellow (US)
Kerrie Glasscock – Artistic Director Sydney Fringe Festival
Kutcha Edwards
Leah Flanagan
Lindy Hume – Artsistic Director Opera QLD
Lindy Morrison OAM
Lior Attar
Liz Frencham
Lucie Thorne
Lyn Williams OAM – Director Gondwana Choirs and Sydney Children’s Choir Marcia Howard
Marc Ribot (US)
Margaret Roadknight
Mark Atkins
Mary Black (Ireland)
Mary Mihelakos
Megan Washington
Melbourne International Jazz Festival
Melbourne Jazz Coop (MJC)
Michael Franti (US)
Michael Tortoni – Owner Bennetts Lane Jazz Club
Mick Thomas
Mike Nock (Don Banks Award)
Miroslav Bukovsky – Distinguished Artist in Residence, School of Music, ANU Missy Higgins
Monique Brumby
Mullum Music Festival
Music Australia
The Music Trust
Nannup Music Festival
National Celtic Festival
National Folk Festival
Nick Bailey – General Manager, ANAM
Dr Nick Haywood – Coordinator of Contemporary Music, UTAS Conservatorium Paul Dempsey
Paul Grabowsky AO
Paul Kelly
Dr Paul Williamson – Coordinator of Jazz Ensembles and Honours, Monash Uni Peter Noble OAM – Artistic Director of Byron Bay Bluesfest
Port Fairy Folk Festival
Rebecca Barnard
Rhonda Burchmore
Richard Letts AM – Founder, Music Council of Australia, President, International Music Council
Associate Professor Robert Burke – Coordinator of Jazz & Popular Music, Monash Uni
Dr Robert Vincs – Head of Jazz & Improvisation, VCA, Melbourne University
Rod Vervest -Program Manager Perth International Arts Festival
Ross Wilson
Sarah Blasko
Shane Howard AM
Simon Burke AO
Skinnyfish Music
Slava & Leonard Grigoryan
Spiderbait
Stephen Pigram
Steve Nieve (England)
Sydney Fringe Festival
Sydney Improvised Music Association (SIMA)
Thirsty Merc
Tim Freedman
Tim Rogers
Tim Winton
Tracy Bartram
Truckstop Honeymoon (USA)
Vince Jones
The Waifs
William Barton
Which Way Music Woodford Folk Festival

HEAR A SONG WRITTEN DURING INTERVAL

Monique diMattina

Monique diMattina                (Image supplied)

CONCERTS PREVIEW: Monique diMattina performs two concerts in one day at Melbourne Recital Centre on Friday 29 November, at 1pm (solo piano) and 8pm (Songs and stomps from New Orleans)

It’s a busy time for Monique diMattina, who is just back from the Ubud Writers and Readers Festival, where she co-presented Singer, Songwriter, Storyteller with long-time collaborators Clare Bowditch and Tommy Spender.

Before that she presented a set at the Cup Eve concert to wind up this year’s Wangaratta Festival of Jazz and Blues.

Soon, diMattina will perform on Thursday, 12 December, as part of the Melbourne Women’s International Jazz Festival at Bennetts Lane Jazz Club.

She has also just begun a fortnightly segment on Lindy Burns evening show on ABC radio’s 774 , writing a song in an hour based on listener requests.

Using this well-honed skill, diMattina will similarly write a song during the interval of her evening concert on Friday, 29 November at MRC, utilising the 30-minute break to write a new piece in response to audience requests in the first half. What a buzz.

But that’s jumping ahead. There will be two diMattina concerts for the day:

1pm in The Salon, MRC, Solo Piano

This lunchtime concert will feature piano miniatures from diMattina’s albums Senses and Sun Signs as she explores her quieter side.

8pm in The Salon, MRC: Songs & Stomps from New Orleans

Joined by an all-star band of jazz and roots musicians, including guitar virtuoso Doug de Vries and R&B sax legend, Paul Williamson, diMattina will dip into her critically acclaimed 2013 release Monique diMattina in New Orleans: Nola’s Ark, which was recorded in New Orleans, with musicians from the bands of Harry Connick Jr and Dr John.

The MRC bills this concert as follows: “The humour, wit and charm of Melbourne pianist/chanteuse Monique diMattina unfolds note by note in this rambunctious collection of songs from her fifth album Nola’s Ark. Following a sell-out debut at Stonnington Jazz, this is a not-to-be missed event that showcases the cream of the Melbourne jazz/roots scene – fusing contemporary themes with a good time New Orleans sensibility.”

Nola’s Ark draws inspiration from traditional jazz, blues and R&B.

For more on Monique, read SHAKEN AND A LITTLE BIT REHEARSED on Ausjazz.

ROGER MITCHELL

CALLING ALL JAZZ PIANISTS

Barney McAll

Past winner, pianist Barney McAll, now lives, composes and performs in New York.

NEWS: The 2013 National Jazz Awards: Piano

Entries close on 10 June 2013 for this year’s National Jazz Awards, which carry a top prize of $10,000. This year Australia’s most prestigious jazz instrumental competition will be open to Australia’s leading young jazz pianists.

Musicians of any nationality up to the age of 35 will be vying for a spot in the final 10, to compete at this year’s Wangaratta Festival of Jazz and Blues on Sunday, 3 November.

The National Jazz Awards winner will receive $10,000, the runner-up $5000, and the third placegetter $2500. In addition to these cash prizes, the winner will be invited to record in the ABC studios for ABC Classic FM’s Jazztrack With Mal Stanley, and to perform at the 2014 Stonnington Jazz Festival.

Renowned jazz pianist Mike Nock will again serve as Chairman of judges for the awards. He will be joined by two other outstanding jazz pianists, previous National Jazz Award winner, New York based Barney McAll, and the festival’s patron, Paul Grabowsky.

The judging panel will assess the recordings submitted on a blindfold basis. The 10 highest-ranked entrants will be invited to participate in the finals at the 2013 Wangaratta Festival of Jazz and Blues, on the weekend of 1 – 4 November.

Entrants must be no older than 35, as at 1 November 2013. The closing date for entries is 10 June.

The festival’s artistic director, Adrian Jackson, said, “I know there are some outstanding jazz pianists around Australia who are eligible for the awards, and it would be great to see some of them performing at the festival. At the same time, one of the great things about this event is it helps unearth some exciting young talents from different corners of the country who are just starting to establish their careers, and gives them a chance to be heard on the national stage.”

The finals on Sunday 3 November will be broadcast live to air nationally on ‘Jazztrack with Mal Stanley’, on ABC Classic FM, from 5pm.

The National Jazz Awards have been an integral part of Australia’s premier jazz festival since the Wangaratta Festival of Jazz and Blues began in 1990. This year is the first time that piano has been featured since 2006, when the first prize was awarded to  Jackson Harrison. Previous pianists to win the title are Barney McAll, Mark Fitzgibbon, the late Jann Rutherford and Matt McMahon.

Entry forms can be downloaded from the festival’s website

ROGER MITCHELL has based this post on a media release.