Tag Archives: Virna Sanzone

ITALIAN TRADITION TURNS ADVENTUROUS

Virna Sanzone and Niko Schauble

Virna Sanzone and Niko Schauble in The Italian Project

REVIEW: Acquacheta / Paul Grabowsky & Virna Sanzone: The Italian Project, Chapel Off Chapel, Friday 23 May, 8pm for Stonnington Jazz

In all my travels abroad, I have not been to Italy. Now I want to go. Yet the musicians who have inspired this wish are close to home.

This concert was billed as “jazz with an alluring Italian accent”. It might also have been promoted as two sets by superb musicians, some with Italian connections. Saxophonist and pianist Mirko Guerrini moved to Melbourne last year to take up a teaching position at Monash University. At Wangaratta last year he teamed with guitarist Stephen Magnusson, bassist Frank Di Sario and drummer Niko Schauble as Acquacheta, but I heard only part of that concert.

It was a treat to hear a whole set from this quartet as they reinterpreted songs by John Lennon and George Harrison, some originals by Magnusson, Di Sario and Guerrini, movie theme Prima della Pioggia (Before the Rain), plus En la Orilla del Mundo (At the Edge of the World, possibly by Arturo Castro).

Mirko Guerrini

Mirko Guerrini

What a rich tapestry this was. I particularly liked the sharp-edged and abrasive Mag-Pie (Magnusson), the piano’s clarity and scant guitar in Before the Rain, the developing intensity of Javier (Di Sario), which included a great guitar solo over drums and bass, and ruminative reeds with rapid vibrato and rasping “parps”. In the closing Here Comes the Sun, Guerrini built his solo so beautifully to a climax of squeaks and squawks that I decided it would be the best sax solo of the night. I spoke too soon.

The second set ditched the guitar and bass (sorry Steve and Frank) and added pianist-composer-arranger Paul Grabowsky and Sydney vocalist Virna Sanzone for a collaboration titled The Italian Project — interpretations of traditional Italian and Sicilian folk songs, and more recent songs from Fellini and other modern Italian composers.

Virna Sanzone

Virna Sanzone

The program notes said Sanzone’s delivery of the lyrics “often provides a dramatic contrast to the imaginative improvisations of her colleagues” and that was indeed the case. As someone who at times needs convincing (or education) on the value of vocals — I often enjoy other instruments more — this set was a revelation, perhaps precisely because I loved the disparity between the expressive vocals and the riveting work of the other musicians.

It probably helped that I could not understand the words being sung, because that left the voice unadorned, except by the emotions conjured by my mind from the description given by Sanzone about the songs.

Two things stood out in this set. First, Virna Sanzone conveyed so much emotion in vocals that were powerful yet often caressing, the degree of care taken giving the impressions that the sounds were being nurtured as they emerged. I especially loved the vocals in Mi Votu E Mi Rivotu and the yearning in Sanzone’s voice in Mi Piace, as well as the way she entered so unobtrusively during the piece.

Paul Grabowsky

Paul Grabowsky

Second, the accompanying musicians were just superb, as well as being sensitive to their vocalist. Highlights included Guerrini’s beautiful solo in La Pampura Di L’Aiva (at times he seemed just to breathe into the sax),  Grabowsky’s powerful swinging solo and Schauble in full flight in Tu Si’ Na Cosa Grande, another fantastic Guerrini solo in Ma L’Amore, No, and his droning buzz in Mi Votu E Mi Rivotu accompanied by deliberate, spaced chords from Grabowsky. Mi Piace brought subtlety on piano and drums, and wondrously variable dynamics along with mewlings from Guerrini before the piece gathered intensity.

I could go on raving, but you get the message. The imaginative work by Guerrini, Grabowsky and Schauble throughout this set would have been a joy to behold, but offset against Sanzone’s vocals it was a perfect fit. Not surprisingly there was an encore.

This was an ideal way to see and hear Italy.

ROGER MITCHELL

There are more images to come, when time permits.

Mirko Guerrini

Paul Grabowsky

Virna Sanzone

THE AGE OF ENTITLEMENT IS BACK

Mingus Amongst Us

Mingus Amongst Us at Bennetts Lane Jazz Club in July 2013

PREVIEW: Stonnington Jazz, 15-25 May 2014

Joe Hockey says the age of entitlement is over, but he is wrong. Over the next few weeks there will be no deficit of live improvised music in Melbourne and that is only fitting. As promises are broken and voters wake up to exactly what terrible things they initiated by voting to stop the boats, we are entitled to seek comfort in music.

The winter season of jazz festivals is almost upon us and, in the absence of a jazz fringe festival this year, Stonnington Jazz — which last year was judged Best Cultural, Arts or Music Event in Victoria at the Australian Event Awards — is first up.

If you’ve never been before, this showcase of 100 per cent Australian jazz (often including expat artists now living abroad) has two main venues, Malvern Town Hall and Chapel Off Chapel, plus a bunch of other bars and restaurants in the city. At the opening night, the town hall is tastefully decked out and guests can watch it all unfold while seated at tables and enjoying drinks and snacks from the bar at the rear.

This year opening night on Thursday, May 15 will feature New York-based expatriate vocalist Chris McNulty — winner of the Bell Award for Best Jazz Vocal Album of 2013 — and singer, songwriter and pianist Sarah McKenzie, also now living in New York, who won the 2012 ARIA Award for her album Close Your Eyes.

Stonnington Jazz this year will feature two concerts celebrating family connections in music. Popular multi-instrumentalist James Morrison will perform with his sons William and Harry in the James Morrison Inheritance on May 22 at Malvern Town Hall. And clarinet player Denis Ball will perform with his son, trumpeter Eugene, in a sextet at Chapel off Chapel at 2pm on May 18.

Other drawcards will be much-loved vocalist Vince Jones performing with Monash University Jazz, an ensemble comprising students that features Rob Burke on sax and Paul Grabowsky on piano.

Dance lovers will be energised by The Melbourne Rhythm Project, which brings together The New Sheiks and dancers led by Ramona Staffield.

And for something completely different, pianist-singer-composer Martin Martini will presents his suite ‘Vienna 1913’ which draws inspiration from the art and lives of the major modernists of the time, such as Schiele, Klimpt, Koskoschka and Hoffmann.

Lovers of traditional jazz will be given an opportunity to celebrate the 30th anniversary of The Syncopators in a special concert at Malvern Town Hall.

That’s pretty much where the press release information finishes, although it does also mention that festival patron Allan Browne will be plying his drums with Sydney saxophonist Phil Noy and bassist Tamara Murphy at COC on May 22. It’s one of my predicted highlights, which this year are almost entirely chosen from the line-ups at Chapel Off Chapel — a real favourite place of mine to hear live music because it’s possible to get up close and personal with the music.

So here are my recommendations, for what they’re worth:

Saturday 17 May, COC, 8pm, Sexteto Zona Sul/Panorama Do Brazil
Doug de Vries, on guitar, will feature in both sets of this night of Brazilian-influenced jazz.

Sunday 18 May, COC, 2pm Sugarfoot Ramblers/Denis Ball & Eugene Ball
Tap your foot to 20 musicians in the first set, then enjoy the chance to hear father and son in a superb sextet.

Monday 19 May, COC, 8pm Mingus Amongst Us
This celebration of the blues and gospel-influenced compositions of Charles Mingus will enthral and excite. Don’t miss it.

David Rex

David Rex

Tuesday 20 May, COC, 8pm David Rex Quartet/Cannonball
Check out the power of the Rex brothers then enjoy a sack o’ woe from Cannonball Adderley, as interpreted by Tim Wilson and friends.

Joe O'Connor

Joe O’Connor at the National Jazz Awards, Wangaratta

Thursday 22 May, COC, 8pm Joseph O’Connor Trio/Browne Noy Murphy
Check out the compositions of young National Jazz Awards winner O’Connor on piano, then be prepared for whimsical humour and great expression from Al Browne, Phil Noy on reeds and Tamara Murphy on double bass.

Mirko Guerrini

Mirko Guerrini performs in Acquacheta at Wangaratta Jazz Festival

Friday 23 May, COC, 8pm Acquacheta/Grabowsky Sanzone: The Italian Project
Saxophonist Mirko Guerrini’s project with guitarist Stephen Magnusson was a hit at Wangaratta last year, and whatever Grabowsky and Sydney vocalist Virna Sanzone create will be worth hearing.

Saturday 24 May, COC, 8pm Chantal Mitvalsky/Paul Williamson Hammond Jazz Party
Always a hoot to enjoy the warm, wonderful vibe of this party sporting a Hammond B3.

Saturday 24 May, MTH, 8pm The Syncopators 30th Anniversary
Expect this to be packed.

Sunday 25 May, COC, 8pm Marinucci Grant Quintet/Alan Lee Quartet Reunion
Great line-up for the first set with Gianni Marinucci (trumpet, flugelhorn) and Steve Grant (cornet), Tony Gould (piano), Frank Di Sario (bass) and Danny Farrugia (drums). And then Alan Lee will reunite with old friends Gould, Derek Capewell (bass) and Ted Vining (drums).

There are many more concerts to enjoy, including Bob Sedergreen and friends in a set after the Stonnington Youth Jazz Initiative on May 21.

Think about it. Promises are being broken. Taxes are being raised. Retirements are being delayed. Renewable energy is being wound down. Global warming is being ignored. The ABC is being cut. The workforce is being casualised.

My suggestion is to get out now and enjoy live music before the end of the world as we know it eventuates.

ROGER MITCHELL

TO BOOK TICKETS: Phone 82907000 or go to www.chapeloffchapel.com.au

For full program information go to: www.stonningtonjazz.com.au