Tag Archives: Kristin Berardi

A FESTIVAL GIVES VOICE

Johnny Tedesco

Johnny Tedesco in Chris Hale’s suite Sylvan Coda, which will close Stonnington Jazz.

PREVIEW: Stonnington Jazz 2013, May 16 to 26

In last year’s preview of this much-loved festival I wrote, “It’s a big year for vocalists”. Well, back then we didn’t know what “big” meant. So, to borrow the words of Paul Hogan as Dundee, 2012 wasn’t a big year, THIS is a big year for vocalists.

It’s taken some ferreting about in the program, and I may have missed some, but on my count 22 vocalists are performing at Stonnington Jazz this year in 18 concerts, with two taking to the stage twice. You have to admit that for a festival lasting 11 days to provide patrons with so much vocal talent is an amazing achievement. By the way, of the 22, only four are men, so there is a definite gender imbalance. But among instrumental players it’s skewed in the other direction.

This year’s outings do not all feature vocalists, of course, but a look at the singers’ gigs is a good place to start when browsing the program with a view to selecting highlights.

Kristin Berardi

Winning vocals: National Jazz Awards winner Kristin Berardi at Wangaratta.

The opening night concert at Malvern Town Hall on Thursday 16 May at 8pm will feature National Jazz Awards winners Michelle Nicolle and Kristin Berardi in a Jazz Vocals Showcase. Both are well known and much-loved artists, with extensive experience and acclaim. Nicolle will be accompanied by her long-standing band, Geoff Hughes (guitar), Tom Lee (bass) and Ronny Ferella (drums). Berardi will treat us to Sydney musicians Carl Morgan (guitar), Greg Coffin (piano), Brendan Clarke (bass) and Tim Firth (drums).

It’s worth running through all the other vocals gigs in date order:

Thursday 16 May, Globe Café, 8pm: Rita Satch
Jazz standards and originals from Satch’s EP Awoken. Band: Luke Howard (keys), Phil Rex (double bass) and Hugh Harvey (drums)

Thursday 16 May, Red Bennies, 7pm: Herb Armstrong
Floor show featuring the music of Louis Armstrong as well as Zydeco and Second Line grooves by Brisbane’s Herb Armstrong and The Royal Street Krewe.

Friday 17 May, Globe Café, 8pm: Tamara Kuldin
Sass and sophistication of the vintage eras from Melbourne’s Tamara Kuldin with Paul Williamson (tenor sax, vocals), Steve Paix (keyboard) and Kim May (bass).

Saturday 18 May, Globe Café, 8.15pm: Rebecca Mendoza
Music of Billie Holiday by Melbourne’s Rebecca Mendoza (daughter of jazz pianist Noel Mendoza), accompanied by Joe Ruberto on piano and piano.

Sunday 19 May, Chapel Off Chapel, 2pm: Julie O’Hara
Swinging classic jazz in the “gypsy swing” style by Ultrafox vocalist Julie O’Hara with guitarist Peter Baylor, Michael McQuaid (saxophone, clarinet), Jon Delaney (guitar) and Andrew Scott (bass). Another set will feature Coleman Hawkins songs by saxophonist Michael McQuaid’s Coleman Medallists.

Sunday 19 May, Globe Café, 5pm: Mandy Meadows
Jazz infused with soul, Motown and blues from Meadows with Alexander Nettelbeck (keyboard), Aaron Searle (saxophone, woodwinds, guitar), Andrew Horneman (drums, guitar) and Jon Mellor (electric bass).

Vince Jones

Much-loved: Vince Jones performs at Stonnington Jazz.

Sunday 19 May, Trak Live Lounge Bar, 8pm: Vince Jones
Originals and contemporary versions of jazz standards by much-loved jazz vocalist, trumpet-player and composer Jones with Simon Barker on drums, Matt McMahon on piano and Ben Waples on bass.

Tuesday, 21 May, Chapel Off Chapel, 8pm: Josh Kyle
Interpretations of Australian jazz compositions, sung by Kyle with pianist Sam Keevers under the title Songs of Friends.

Wednesday 22 May, Chapel Off Chapel, 8pm: Cameron Giles-Webb and Hetty Kate
Pianist Steve Sedergreen’s band features these vocalists with Gianni Marinucci and Brae Grimes (trumpets), Dave Palmer (trombone), Lachlan Davidson and Paul Williamson (saxophones), Shane Ryall (guitar), Kim May (bass) and Michael Jordan (drums). Another set by Anton Delecca Quartet.

Wed 22 May, Café Latte Upstairs, 8.30pm: Emma Franz
Filmmaker Franz is a guest with a trio led by pianist Dr Allan Zavod, who has played The Glen Miller Orchestra, Frank Zappa, Sting and Jean-Luc Ponty.

Thursday 23, Chapel Off Chapel, 8pm: Jacki Cooper
One-off outing by Bob Sedergreen’s Come Together Band with Cooper on vocals, George Golla guitar, John Morrison drums, Mal Sedergreen saxophone, Gareth Hill bass and Dave Palmer as trombonist, arranger and bandleader.

Thursday 23 May, Globe Café, 8.15pm: Diana Clark
Interpretation of the Brazilian music of Antonio Carlos Jobim and other pioneers of Bossa Nova by vocalist Clark and guitarist Doug de Vries.

Monique diMattina

Monique diMattina has recorded an album in New Orleans. (Image supplied)

Friday 24 May, Chapel Off Chapel, 8pm: Monique diMattina and Kate Kelsey-Sugg
Originals by singer-pianists. Monique diMattina dips into her latest album, Nola’s Ark, recorded in New Orleans, which draws inspiration from traditional jazz, blues and R&B, accompanied by Eamon McNelis trumpet & vocals, Stephen Grant accordion, Paul Williamson saxophone, Doug de Vries guitar, Howard Cairns sousaphone & bass and Tony Floyd drums. Kate Kelsey-Sugg, who took second prize at last year’s National Jazz Awards is joined by her father, Andy Sugg saxophone, McNelis trumpet, Marty Holoubek bass and Aaron McCullough drums.

Friday 24 May, Globe Café, 8pm: Julie O’Hara
Elegant, romantic, swinging and hot ’30s and ’40s Paris club music delivered with some vocalese by vocalist and composer O’Hara and her band.

Saturday 25 May, Chapel Off Chapel, 8pm: Hetty Kate
Elegant, swinging interpretations of standards by Kate with Daniel Gassin (piano), James Sherlock (guitar), Marty Holoubek (bass) and Danny Farrugia (drums). Second set by the always uplifting Paul Williamson Hammond Combo.

Saturday 25 May, Globe Café, 8.15pm: Fem Belling
Music of Ella Fitzgerald, Billie Holiday, Blossom Dearie, Sarah Vaughan, Liza Minnelli by vocalist and violinist Belling backed by Joe Ruberto on keyboard.

Fitzgibbon and Sherlock

Nichaud Fitzgibbon performs at Stonnington Jazz in 2009 with James Sherlock.

Sunday 26 May, Malvern Town Hall, 2pm, Nichaud Fitzgibbon
Tribute to Peggy Lee by Fitzgibbon, who continues the legacy her father began at Smacka’s Place. Accompanied by Luke Howard (piano), James Clark (bass), Danny Fischer (drums), Craig Fermanis (guitar), Anton Delecca (saxophone), Paul Coyle (trumpet) and Dave Palmer (trombone).

Emma Gilmartin and Gian Slater

Emma Gilmartin and Gian Slater in Sylvan Coda, which will close the festival.

Sunday 26 May, Chapel Off Chapel, 2pm: Gian Slater, Jacq Gawler, Emma Gilmartin
Sylvan Coda suite by bassist Christopher Hale, winner of the 2012 Freedman Jazz Fellowship, with flamenco and Afro-Cuban influences. Also features Johnny Tedesco (percussion, dance), Nathan Slater (nylon-string guitar), Julian Banks (saxophone), Simon Barker (drums, percussion) and Javier Fredes (percussion). Opening set by Red Fish Blue.

The performance of Sylvan Coda will be a highlight, I’m sure. The performance at Bennetts Lane in February this year was a beauty — read Ausjazz blog’s review.

The other outings I’m particularly looking forward to — if I don’t have to work — are as follows:

  • Jazz in Focus at 6pm on 17 May (Allan Browne shares stories about his career in a free session presented by APRA at the Globe Cafe)
  • The Australian Art Orchestra’s Hard Core on the Fly at Chapel Off Chapel on 20 May at 8pm  — spontaneous solo and ensemble improvisation in which younger musicians work with Scott Tinkler (trumpet), Peter Knight (trumpet, laptop, electronics), Erkki Veltheim (violin), Simon Barker (drums), Brett Thompson (guitar), Scott McConnachie (alto saxophone), Matthias Schack-Arnott (percussion) and Ida Duelund Hansen (double bass).
  • The second set at Chapel Off Chapel on the evening of 21 May, when drummer, band leader, raconteur and poet Allan Browne will lead a sextet through original music inspired by his published poetry, Conjuror. Allan will be joined by Eugene Ball (trumpet), Phil Noy (saxophone), Marc Hannaford (piano), Geoff Hughes (guitar) and Nick Haywood (drums).
  • Sydney-based and internationally renowned pianist Mike Nock will play a set of improvisations with guitarist Stephen Magnusson and saxophonist Julien Wilson at Chapel Off Chapel during a performance — including a set from the Jex Saarelaht Trio — beginning at 8pm on 23 May. Nock’s gig with Magnusson at Wangaratta last year was magnificent.
  • Recent inductee to the Australian Bell Awards Hall of Fame, James Morrison will join pianist Joe Chindamo at the Malvern Town Hall at at 8pm on Friday, 24 May. In the first set Chindamo, accompanied by Philip Rex (bass) and Danny Fischer (drums), will rearrange familiar music as a tribute to Dave Brubeck. Morrison and Chindamo will then play duets or with Rex and Fischer.

That’s the preview. It’s a feast for lovers of vocals, with lots of other highlights. And of course Stonnington Jazz is always a  friendly festival with a really nice vibe. That may be in part because it is displaying the talents of Australian jazz musicians.

Full program details are available at Stonnington Jazz website.

ROGER MITCHELL

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WANGARATTA JAZZ IN FULL VOICE

first reason

___________

1. VOCALS

Maybe the stars are aligned. Maybe the success of voices raised against broadcaster Alan Jones has set the earth back on its axis. Maybe the irresistible force of vocal talent which is about to gather at Wangaratta Jazz and Blues Festival from November 2, 2012 is exerting its magnetic power.

Whatever the reason, this reluctant enthusiast for vocals in improvised music has received some signs that a Kurt Elling experience may lie ahead for me in the wilds of Wangaratta this year. When Elling performed at this prestigious festival, I was initially reluctant, then so captivated that I went back for more. (Why reluctant? Well, I have often found that the when music includes vocals, I quietly and secretly wish that I could hear the (other) instruments — and that is not from any lack of respect for the talents of the vocalists.)

Gelah Reh

Gelareh Pour

So, what signs have I seen? Well, at two recent gigs I have unexpectedly warmed to the work of vocalists, albeit only one of whom will be performing at Wangaratta in 2012.

In a short set at the Make It Up Club in Fitzroy, Adam Simmons played shakuhachi in a duo with Iranian Gelareh Pour, who played the kamanche stringed-instrument and sang so effortlessly and with such purity of sound that I was entranced.

Louise Goh

Louise Goh

Since then, at Paris Cat, Sarah Holmes invited Louise Goh to the microphone in a set by The Outfit. Again, I was struck by how much wordless vocals added to the pieces.

Neither Gelareh Pour nor Louise Goh will be at this year’s festival, but you never know what the future will bring.

And, as if these were not sufficient signs of the earth moving, I have had the opportunity to be immersed in the striking and compelling contribution of Carl Pannuzzo to MAGNET, which is the quartet comprising the vocalist along with Stephen Magnusson, Sergio Beresovsky and Eugene Ball. The self-titled album just released will, I predict, make its mark. Pannuzzo really takes the listener into interesting territory and demonstrates the power of vocals, as I am sure he will demonstrate with MAGNET at Wangaratta.

So having heard the portents and read the signs, I await the vocal delights at Wangaratta with the expectation of a student beginning a new subject.

Most of the population of music lovers will be hanging out for the strong, soulful voice of Gregory Porter (pictured top left in this post), who grew up in Los Angeles, but has been based in New York for the past couple of years. Porter will play with Australians John McAll on piano, Nick Lester on saxophones, Zvi Belling on bass and Danny Farrugia on drums. Artistic director of the festival, Adrian Jackson, says Porter’s music incorporates soul and gospel elements, particularly his original material but that if you hear him do some the standards on his recordings, such as Skylark and But Beautiful (Jimmy Van Heusen/Johnny Burke) he’s a really superb jazz singer.

Also a drawcard at Wangaratta will be Cyrille Aimee (pictured top right in this post), a young singer from France with a creative, effusive and fun style. She won the Montreux Jazz Festival International Singing Competition in 2007 and was runner up in the Thelonious Monk Jazz Singing Competition in 2010. Based in New York, she often performs at Dizzy’s, Birdland and Smalls. Her Surreal Band, which features expatriate Australians Sam Anning on bass and Raj Jayaweera on drums, will be joined by guitarist James Sherlock.

Of course there will be a whole lot more vocalists featured at this year’s festival, including the 10 finalists in the National Jazz Awards. They are Aimee, 28, from France (currently based in New York); Kristin Berardi, 31, from Sydney; Briana Cowlishaw, 23, from Sydney; Luara Karlson-Carp, 21, from Brisbane; Kate Kelsey-Sugg, 23, from Melbourne; Joshua Kyle, 26, from Melbourne; Chantal Mitvalsky, 29, from Melbourne; Judith Perl, 23, from Melbourne; Liz Tobias, 28, from Adelaide (currently based in Boston) and Katie Wighton, 24, from Sydney. For Miriam Zolin‘s interviews with the finalists, visit Jazz Planet.

The 10 were chosen after the three judges (Mike Nock, Michelle Nicolle and Vince Jones) assessed over 60 recorded entries on a ‘blindfold’ basis. They will perform at Wangaratta with an outstanding band comprising Sam Keevers (piano), Sam Anning (bass) and Raj Jayaweera (drums).

As well, Michelle Nicole and Vince Jones will perform with their bands, and Cyrille Aimee will open the Cup Eve concert before Vince Jones takes the stage.

ROGER MITCHELL

FESTIVAL TAKES TO THE SKIES

Hiromi

Hiromi is among artists who will fly Qatar Airways to Melbourne. (All About Jazz image)

Ausjazz blog previews the Melbourne International Jazz Festival 2012, which was launched on March 13:

The hubbub on level 24 of The Langham in Melbourne gave way to attentive silence yesterday evening as Murphy’s Law treated the assembled multitude to about four minutes of Big Creatures & Little Creatures: The Modular Suite.

The music was a welcome relief from the necessary formalities of the official launch of this year’s Melbourne International Jazz Festival, which will run from June 1 to June 10.

If the fragment of this commissioned work by Tamara Murphy was any indication, its full performance at Bennetts Lane as part of the festival’s Club Sessions will be compelling.

And if the question on everybody’s lips as program details emerged was how the festival’s focus under artistic director Michael Tortoni would differ from its direction under Sophie Brous, the real story of the night was about a key sponsorship.

As Melbourne’s music glitterati watched a promotional video about the delights of the Middle East state of Qatar, it was dawning on us all what a coup it was to bag Qatar Airways as a festival sponsor. The benefit is obvious — it will be much cheaper to fly in international artists, thus countering to some extent the isolation of Australia from the jazz hotspots of the United States and Europe.

So who are the big names and what is the flavour of this festival? Tortoni described the focus as “jazz royalty alongside the voice of a rising generation” and said MIJF 2012 was “all about what jazz is when the talking stops and the music starts”. Well, every festival has to have its catchphrases, but to take up his theme with another well-worn phrase, the proof of the pudding is in the eating.

An initial glance at the program shows it is not overly adventurous, and represents less of a challenge — or an enticement — to audience groups on the fringes of more straight ahead jazz. The very popular multi-stage day of music madness and mayhem at Melbourne Town Hall will not take place this year, due to an absence of sponsorship and most likely of Sophie Brous. That’s a pity, because that gave the recent festivals a welcome edge that it must now fall to the Melbourne Jazz Fringe Festival to fill.

The main international artists include pianist McCoy Tyner revisiting the 1963 John Coltrane and Johnny Hartman album, this time with vocalist Jose James and saxophonist Chris Potter.

Potter will also perform some of his own material with Sydney’s Jazzgroove Mothership Orchestra as well as some commissioned Australian material. This should be exciting.

James will also feature in the Robert Glasper Experiment, “an Australian premiere event that smashes stylistic boundaries to reshape the future directions of jazz” by “taking hip-hop, R&B, soul and post-modern jazz to never-before-seen places”.

For lovers of Billie Holiday and Sarah Vaughan, US vocalist Dee Dee Bridgewater will visit Melbourne for the first time, and also from the ‘States’, Patti Austin will perform a tribute to Ella Fitzgerald with one matinee and one evening performance.

The familiar vocal extravaganza at the Palais this year is entitled “The Way You Look Tonight” featuring Katie Noonan, Vince Jones and Kristin Berardi in an opening night gala.

Likely to attract a much younger audience will be keyboardist-composer Hiromi (Japan/USA) who blends jazz with progressive rock and classical styles. Her first concert will open with US bassist Robert Hurst joining locals Jamie Oehlers and Dave Beck.

Hiromi’s second gig will be a double bill with the Israeli Eli Degibri Quartet, featuring 16-year-old prodigy Gadi Lehavi on piano.

A film-themed package will feature five-time Grammy Award winner and cinematic composer Terence Blanchard on trumpet (in a quartet with Brice Winston on tenor, Fabian Almazan on piano and Kendrick Scott on drums), Australia’s Joe Chindamo performing his arrangements of Coen Brothers film music and an ACMI Jazz on Film program.

The Salon at MRC will host three concerts with Monash University under the Jazz Futures banner featuring the Terence Blanchard Quintet, The Fringe (with George Garzone on sax) and Tarbaby (with Oliver Lake on alto sax).

The Fringe and Tarbaby will also perform at a new venue for this festival, the Comedy Theatre. These outings should keep us awake.
From Europe will come bassist Renaud Garcia-Fons, appearing in the Arcoluz Trio at the MRC after a real highlight opener of pianist Luke Howard with Janos Bruneel (Belgium) on bass.

Samuel Yirga Quartet from Ethiopia will feature the piano prodigy at the Comedy Theatre, opened by locals The Black Jesus Experience.
For lovers of the Hammond B3 (and I’m one), Dr Lonnie Smith (USA) will perform at Bennetts Lane.

In the Club Sessions, Motif from Norway will feature along with Robert Hurst and the Luca Ciaria Quartet from Italy.
Allan Browne Sextet will celebrate the launch of Conjuror — a collection of his jazz poetry — in two sets which should be a festival standout. Sandy Evans will join Lloyd Swanton and Toby Hall for a special closing night celebration presented with the Melbourne Jazz Cooperative.

The Melbourne International Jazz Festival opens on June 1.

ROGER MITCHELL