Tag Archives: Collider

LIVE MUSIC FRIDAY — DON’T GO HOME WITHOUT IT

It’s all happening in Melbs tonight, so whatever you do, don’t go home before catching some live music. To make it easy to choose, here’s some of the gigs on offer:

Collider CD launch of Words at Uptown Jazz Cafe, Friday 1 March, 2013 at 8.30pm

Kynan Robinson trombone, Adam Simmons tenor sax, Andrea Keeble violin, Jason Bunn viola, Ronny Ferella drums, Anita Hustas double bass

Collider

Collider

Here’s some background info:

Uptown is very proud to host the launch of the debut album Words from the band Collider led by trombonist Kynan Robinson.

Brass meets strings melded together with drums creating the unique force that is Australian ensemble Collider – an exploration in sound and composition that is luxuriating as it is challenging

Collider was first formed in 2006 and has developed its beautiful and unique sound over the past four years. Collider is a band which is co-lead by Adam Simmons and Kynan Robinson. Both Kynan and Adam have built great reputations for both their individual and highly sort after playing styles, featuring in many bands including Aria award winning C.W Stoneking, Ernest Ranglin, Peter Brotzmann, Odean Pope, SkaZZ, Peter Knights 5+2, The Bombay Royale etc. but also for their uncompromising and unique approach to the bands that they individually run. They are both extremely prolific leading very successful ensembles with multiple releases such as The Escalators, Adam Simmons Toy Band, Des Peres, En Rusk, The Adam Simmons Quartet and The Creative Music Ensemble.

With Collider they have joined forces to create a unique musical experience. The integration of a string
section adds a textural layer that is rarely heard in a improvising context.
Every member of the ensemble is a composer in their own right and all have contributed music to the repertoire performed by Collider. As well as short pieces each member has at some stage composed a major work for Collider.

“This was really visceral music and its effect was felt physically. The combination of instruments provided a timbre-laden treat that would gladden the heart of a Tasmanian conservationist or an Orbost logger, or both.I loved the contributions of each instrument. I loved the percussive interludes and the way Ferella intervened with such sensitivity and minimalism. There were some absolutely entrancing standout solos — Kynan Robinson digging deep into the gravel, Ronny Ferella taking the space to take us on a sublime journey of intricacy and introspection, Anita Hustas opening the final piece of the night with great presence, and Simmons on fire in slow-burn fashion that etched tenor notes into the dark room.” Roger Mitchell – ausjazz.net

Collider has had work commissioned by The Melbourne Writers Festival (Solo In Red composed by Kynan Robinson, 2012) and presented at sold out shows at the Melbourne Recital Center. In 2007 Collider premiered new work composed by Anita Hustas and Andrea Keeble at the Melbourne Women’s International Jazz Festival. Collider has also been presented by the La Mama Musica Series, Melbourne Jazz Coop, Melbourne Jazz Fringe Festival and Lebowskis.

In 2011/12 Collider presented major new works by Kynan and Adam with a very literary focus. Kynan composed music inspired by the writings of American author Cormac McCarthy (Solo In Red) while Adam composed work based on the famous children’s book Green Eggs and Ham. This sold out concert was presented as part of 45 Downstairs 2011 program. This literary focus has been a subtle teme found in much of Colliders work.

Two sets from 8.30pm. To reserve a table please email – uptownjazzcafe@email.com

And there’s more:

Paul Van Ross Quartet CD launch, Paris Cat Jazz Club, 9.30pm , $20
Featuring original music from the new CD “The Buck Stops Here”
with: Paul Van Ross – saxophones / flute, Kim Kelaart – Hammond B3 Organ, Hugh Stuckey – guitar, Hugh Harvey – drums

And there’s more:

Great Waitress, 7pm Richmond Uniting Church, 310-314 Church Street
After many shows in Sydney, and across Europe, Great Waitress is finally coming to Melbourne!

Rosalind Hall – solo sax, Marc Hannaford – solo piano,

RCKTSRGRY: Tina Douglas – wii/laptop/visuals, Nik Kennedy – electronics, and Great Waitress: Magda Mayas – piano, Monica Brooks – accordion. Laura Altman – clarinet

And there’s more:

Lior with Gian Slater and Invenio, Spiegeltent, Melbourne, 7pm
Tickets: from $46
Lior has a long standing relationship with The Famous Spiegeltent and has always endeavoured to bring a unique approach to these shows as a reflection of the venue’s undeniable charm. This year is no exception with Lior inviting renowned Melbourne vocalist/composer Gian Slater and her vocal ensemble ‘Invenio’ to join him.
Over three highly acclaimed studio albums Lior has built a reputation as one of Australia’s finest songwriters and vocalists. Gian Slater and her ensemble are known for their imaginative arrangements and innovative vocal performances – together with Lior they will be performing a selection of Lior’s songs. A unique performance not to be missed.
http://spiegel.artscentremelbourne.com.au/2013/lior-with-gian-slater-and-invenio/

$10 entry ($8 conc.). Doors at 7pm. Music from 7:30pm

And there’s more:

Warpigs, with special guests The Naxalites, Roundtable
Tago Mago, 744 High Street Thornbury, 8pm

Like wandering lost in a field somewhere in Russia. You look up to see nothing but clouds and power-lines, and for all you’re worries you can’t seem to think of anything but Grandpa. Warpigs epic space, Warpigs meandering dissonance, Warpigs angelic and divine, Warpigs cut throat blues. Brought to you by sonic lovebirds The Naxalites and intelligent designers Roundtable. Free entry.

COLLIDER IN A NOVEL WORK

GIG PREVIEW: Saturday 25 August, 8pm, The Salon, Melbourne Recital Centre

Collider

Collider

Melbourne sextet Collider will tonight perform Solo in Red, a new work by Kynan Robinson which utilises words, music and images to explore the sparseness and fragility of Cormac McCarthy’s writing.

Collider — Robinson, Adam Simmons, Anita Hustas, Jason Bunn, Ronny Ferella and Andrea Keeble — was formed in 2006 to perform as part of the Adam Simmons
Retrospective and adds the texture of strings to brass, woodwind and drums.

Presented as part of the Melbourne Writers Festival, the work focuses on McCarthy’s novel Blood Meridian, but is also inspired by Suttree and The Border Trilogy.

Solo in Red has been described as “textured and dynamically complex” and “a hauntingly beautiful work”.

Robinson says, “McCarthy’s writing and the atmosphere he creates has a sparseness, detachment and tension and is always touched with a dry wit. He presents both the absolute beauty and absolute ugliness of existence, often within the same sentence.”

Tickets ($40, $30 concession) can be purchased online from the Melbourne Recital Centre.

The Age previewed Solo in Red in an article on 18 August, 2012.

And Miriam Zolin’s Jazz Planet did a couple of detailed interviews with Kynan Robinson and Melbourne Writers Festival Director Steve Grimwade


ROGER MITCHELL

THE OUTER LIMITS

Preview: Melbourne Jazz Fringe Festival, April 29 to May 8, 2011

Mastaneh Nazarian

Mastaneh Nazarian barely contains her love for her Parker guitar

Yes, the image above is unashamedly a bid to attract attention to this preview of this year’s MJFF, but in my defence it is the picture guitarist Mastaneh Nazarian chose to be used on the Melbourne Jazz Fringe Festival website, which is where all the details of this festival can be found. Nazarian, who migrated from Teheran, Iran to the US and suffered “mild malnutrition” in Boston in the mid ’90s, will feature in a double bill with Jonathan Dimond‘s Loops and her group Kafka Pony, which she named after reading lots of Kafka, dreaming of a pink penguin and waking with the word “pony” on her lips.

Anyway, speaking of matters barely contained, my excitement is mounting about what’s on offer this year. Details are on the website, but here’s a quick glimpse of some highlights. First, because it is first, is the opening concert on Friday, April 29 at the Melbourne Recital Centre’s Salon, which will give us a chance to hear a work so far aired at only in parts, at least in Melbourne and at Wangaratta. Andrea Keller Quartet, with two violins, viola and a cello, will perform Place, a 60-minute commissioned work in seven parts that draws inspiration from the area surrounding Bermagui NSW, and explores notions of belonging and identity. The quartet employs electronics, improvisation, preparations and acoustic instruments in the piece.

We’ve had two tantalising tastes of this work — at Uptown Jazz Cafe in August last year, when the quartet played Guluga and Belonging, and in the WPAC Theatre at Wangaratta Jazz 2010, when Belonging closed the set. I loved these tidbits and look forward to hearing the whole piece. The icing on the cake will be special guests Stephen Magnusson and Raj Jayaweera performing as a duo.

I have to keep this short and avoid mentioning every gig, tempting as that is. So, on Saturday, there’s a wild night in a warehouse opening with Ronny Ferella and Sam Price, who make up Peon, no doubt playing some similar material to what’s on their album Real Time, and ending in an iPhone mash-up — an app-created orgy of sounds under the watchful ear of Myles Mumford. You have to be there.

After Loops and Kafka Pony on Sunday, and Sam Bates Trio on Monday, a real highlight for me will be Band of Five Names on Tuesday, May 3, at Bennetts Lane. When this group (Phil Slater on trumpet and laptop, Matt McMahon on piano and Nord, Carl Dewhurst on guitar, Simon Barker on drums and percussion) performed at at Alpine MDF Theatre, Wangaratta in 2009, I thought of it as entering a musical space of light and shade, frenzy and reflection, and at times absolute simplicity. The ensemble was affective, slowly evolving and highly involving. I thought then, “How can a Nord sound so gentle?” and “Stillness can take root here”.

Zoe Scoglio‘s audio visual evening on Wednesday will be a treat for the ears, because Stephen Magnusson (guitar), Stephen Grant (cornet) and James McLean (drums) will accompany what Zoe has in store.

And in an unprecedented move, MJFF this year has some gigs out west, which is fantastic for those of us who believe more music should happen where so many of those who create it reside. The first performance at the Dancing Dog Cafe/Bar, on Thursday, May 5, features award-winning Peter Knight (trumpet and laptop electronics) and the irrepressible Motion. The second, on Saturday, May 7, features Nat Grant (solo percussion and electronics) and Kewti with “wild black metal experimental microtonal tropical jazz”. How can you resist that?

“What about the famous MJFF commission concert?”, you ask. Well, yes, it’s on at BMW Edge on Friday, May 6 and it must not be missed. That rascal Allan Browne will open with his “three turks and a wasp”. The drummer has a new piano-less quartet with Phillip Noy (alto sax), Sam Pankhurst (bass) and Stephen Grant (cornet) in dialogue, using new material written for the Fringe plus “compositions from the Duke and Jelly Roll”.

And for the main act, Fran Swinn, winner of this year’s APRA Composer Commission, has written Inform for jazz quartet and corde lisse (aerial circus act involving acrobatics on a vertically hanging rope). Circus Oz virtuoso acrobat/aerialist Rockie Stone (pictured below courtesy of Seth Gulob) will perform with the Fran Swinn Quartet (Swinn on guitar, Tamara Murphy on double bass, Ben Hendry on drums), and guest soloist Eugene Ball on trumpet.

Rockie

Rockie Stone at Circus Oz (Picture by Seth Gulob)

Swinn’s work promises to “integrate the forms and structures inherent in Jazz and improvised music with the forms and structures integral to a circus act” and acknowledges influences from dance, theatre and clowning as well as the music of Thelonious Monk, Ornette Coleman and Bill Frisell.

What could top that? Well, after such high-flying aerial pursuits it has to be time to sit. So Big Arse Sunday is exactly what’s needed. This year it’s at Cafe 303, 303 High Street, Northcote, from 2pm until about 9pm and the line-up includes Collider, Make Up Sex, Tinkler/Pankhurst/McLean, and 12 Tone Diamonds. And if you need a break from the music, the musicians you’ve heard or will hear later will probably be selling some nibbles or sitting on the door, so there’s a chance to chat.

With all these highlights, you may as well give in and decide you’ll never make it home before midnight during the Melboune Jazz Fringe Festival. This is a real grass roots festival run by musicians who volunteer lots of time to make it happen. If you’ve never dipped your toe in, try it. You won’t regret it.

ROGER MITCHELL