Tag Archives: ben vanderwal

LIVE A LITTLE WITH LIVE MUSIC

Ben Winkelman Trio

Ben Winkelman Trio: Eric Doob, Ben and Sam Anning.        Image: Robert Carlo

PREVIEWS

Ben Winkelman Trio, The Salon, MRC, Melbourne, 11 March 2016 at 7pm

winkelman-front-cover_300x

It began in Perth, jumped to Portland and tonight the Ben Winkelman Trio National Tour 2016 arrives at Melbourne Recital Centre for a Melbourne Jazz Co-operative gig at 7pm.

The tour, which takes in eight other cities after tonight, will launch the pianist / composer’s fourth album, The Knife, released in Australia this month on Jazzhead. Ben Vanderwal will be at the drum kit for the tour, replacing Eric Doob. Sam Anning, recently returned from a long stint in New York, is on acoustic bass.

The album’s 13 Winkelman originals, recorded at Sear Sound in New York, were inspired by the highs and lows of adjusting to life in that city and reflect the composer’s interests in Cuban, Brazilian and gospel music, “odd meter claves and through-composed miniatures”.

A Melburnian who has been living in New York since 2010, Winkelman has an impressive discography — Odysseys was a 2010 AIR Award nominee for Best Independent Jazz Release, The Spanish Tinge won the 2007 AIR Award in that category and Stomps, Pieces & Variations was nominated in the 2006 Australian Jazz bell Awards.

Click here to book $30 & $25 concessions.

Moreland City Band

Scott Tinkler at the helm of Moreland City Band.

Fleming Park Festival, 11am – 6pm on Sunday 13 March 2016, corner Albert and Cross streets, East Brunswick

Fleming Park is the place to be on Sunday as the Moreland City Band presents a day of live music, plus an African drumming workshop with Ray Pereira and the chance to try out in lacrosse sessions with Moreland Lacrosse Club.

The music on offer includes The Immortal Horns, Andrew Murray’s ATM15, Big Band Frequency, Moreland City Bands, JC Little Big Band, Beyond the Bathroom Choir.

There will be food stalls, a barbecue, a licensed bar, cakes and activities for kids.

This is a free community event supported by Moreland City Council, Moreland Lacrosse Club and Andra Jackson.

ROGER MITCHELL

 

 

 

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UPTOWN HOSTS PAPER TIGER

Paper Tiger

CD LAUNCH: Paper Tiger, featuring Oehlers/Magnusson/Vanderwal at Uptown Jazz Cafe, 8.30pm (two sets)

To give a taste of what’s in store, here is Uptown’s take on proceedings:

“Jamie Oehlers (tenor and soprano saxophones), Stephen Magnusson (guitar) and Ben Vanderwal (drums) are three widely recognised and acclaimed Australian jazz artists, who came together in 2013 to perform each others’ original material in Perth and Melbourne.

“The results were undeniably strong – so much so that they are getting back together again in Melbourne to record a new album over this week, with this performance being a prequel to that recording.

“With distinctly different writing styles, the material will be diverse, drawn together by the always clear and unique voices of these three exceptional musicians.”

And here’s another take on this album:

“In 2013 these three fine musicians got together to perform and enjoyed the results so much they coaxed each other to go into the studio and record an album. Once in there, with the red light on they couldn’t stop, they tied the sound engineer to his chair and proceeded to record 15 songs (all available on their new release, Paper Tiger.

“The resulting music is a diverse range of colours, grooves and timbres. Each member has a very distinct writing style but the compositions are approached as a collective. You can hear the band revelling in the freedom of the bass less trio format and revelling in the knowledge they do not have to check in a double bass at the oversize counter the next day.”

Paper Tiger features five compositions by Oehlers, three each by Magnusson and Vanderwal, as well as pieces by each of Keith Jarrett, Frank Loesser, Ornette Coleman and Stephen Foster.

And our ABC has this to say about the album:

“Audacious but approachable, eclectic yet focused, Paper Tiger presents a new instrumental trio. No stranger to each other, each member is a highly regarded improvising Australian: guitarist Stephen Magnusson, saxophonist Jamie Oehlers and drummer Ben Vanderwal.

Paper Tiger has compositions by each member of the trio, plus very fresh explorations of other composers’ work – from Ornette Coleman to Stephen Foster.

“So limber is this trio that a casual listener may be surprised to discover it ‘lacks’ a bass player. Good humour, lyricism and surprise are abundant.”

Jamie Oehlers

Jamie Oehlers

IN SUPPORT OF SUPPORT ACTS

Johnny Tedesco

Johnny Tedesco and Chris Hale perform Sylvan Coda

REFLECTION:

Christopher Hale’s Sylvan Coda opens for Jorge Pardo “Huellas” at Melbourne Recital Centre, Saturday 31 May at 7.30pm

Here and Now opens for Larry Carlton Quartet at Melbourne Recital Centre, Wednesday 4 June at 7.30pm

In any international festival the established practice is for the visiting performers, as the main drawcards, to be on stage for much longer and to be preceded by support bands from Australia. This is a good way for our home-grown musicians to share in the festival limelight and potentially gain a following from the larger audiences who appear out of the woodwork.

I am always disappointed to notice how many seats that are vacant during the opening set and yet are filled when the main performers come on stage. It is a pity not only because it shows disrespect for Australian musicians, but also because the patrons who arrive late are likely to miss hearing some very talented and inventive artists.

The opening sets at MRC this year seem to be way too short. I have not heard any complaints from our “local” musicians — possibly they are glad to have even such limited exposure in such a large festival — but the balance does seem to have swung too much towards the main acts on the bill.

In the case of Christopher Hale’s Sylvan Coda, which opened for Jorge Pardo‘s flamenco jazz, what the audience heard and saw was a tiny taste or fragment of the original suite. I’m sure Johnny Tedesco‘s fantastic flamenco footwork was a highlight for many in the audience — I was struck by how his feet called to mind the fluttering of butterfly wings and the feather-light, incredibly rapid work by some drummers I’ve heard — but it would have been impossible to convey the way in which the original suite changed and developed.

Anyone who liked the snippet provided in this opener should watch for another performance of the full Sylvan Coda.

Sylvan Coda

Johnny Tedesco, Chris Hale, Nathan Slater and Ben Vanderwal in Sylvan Coda at Melbourne Recital Centre

Sylvan Coda

Jacq Gawler, Hannah Cameron, Gian Slater and Julian Banks

Chris Hale

Chris Hale

The other short opening set deserving special mention at MRC so far this year was the performance by Here and Now before the Larry Carlton Quartet.

I left a little early from Carlton’s set — to get to another festival gig and also because the music being played did not excite me. But a clear standout for me was the work of Andrea Keller on piano, Nilusha Dassenaike on vocals, Alex Pertout on percussion, Evripides Evripidou on bass and David Jones on drums.

I should confess that on this rainy evening I was tempted to arrive at 8.15pm to catch the main act, but decided I should respect the artists performing first. I am so glad I did.

Although this set was short, I felt that it took us to quite a special place. Each member of the ensemble contributed significantly, but Evripidou on bass was inventive and I found Keller’s solo, without needing to be loud, filling the auditorium as well as my being. I believed it would be one of the best piano solos of the festival. Her notes seemed to be drawing the audience into a state of total absorption. Dassenaike’s voice was integral to this meditative set.

Here and Now plays Melbourne Recital Centre

Here and Now plays Melbourne Recital Centre

Andrea Keller

Andrea Keller

Alex Pertout, Nilusha Dassenaike and Evripides Evripidou

Alex Pertout, Nilusha Dassenaike and Evripides Evripidou

Here and Now musicians take a bow.

Here and Now musicians take a bow.

I’d like to see opening acts given a fairer allocation of time in future festivals. But one thing is certain — it is never wise to come late and miss out on what comes first. It could well be what you appreciate most.

ROGER MITCHELL