Tag Archives: Barney McAll

WANGARATTA 2017: JAM-PACKED JAZZ

Jen Shyu

Sure to be a highlight: Jen Shyu                                       Image: Steven Schreiber

PREVIEW
Wangaratta Festival of Jazz & Blues, November 3 – 5, 2017

The 28th Wangaratta Festival of Jazz & Blues will be the first without Adrian Jackson at the helm as artistic director. Instead, the programming team consists of Adam Simmons and Zoe Hauptmann for jazz, and Scott Solimo and Frank Davidson for blues.

This change led to some understandable concern on the part of regular patrons over the direction that this renowned festival may take, many worrying about whether efforts to overcome budget challenges by widening audience appeal would dilute the core elements in programming of jazz and blues. The result no doubt will be closely scrutinised. It will also, I’m convinced, be thoroughly enjoyed.

Adam Simmons

Adam Simmons introduces the Pugsley Buzzard Trio in Readings book shop at the Melbourne launch of Wangaratta Festival of Jazz & Blues 2017.

A detailed dig into this year’s jazz (leaving the blues gigs to others) reveals plenty to get excited about — so much, in fact, that it will be hard to fit in breaks for meals or even coffee breaks in a jam-packed program. Don’t forget to download the festival app so you can plan ahead.

Has the festival taken a new direction? Will hard-core jazz fans be satisfied? Is there enough straight-ahead jazz? Are there sufficient “out there” gigs? Is the gender balance improving? Are there enough vocalists? Will the punters turn up? Judgments will be made on these and myriad other questions once the music begins, but unquestionably there is heaps of it on offer.

Overseas artists in the mix include Kari Ikonen Trio (Finland), Jon Cleary (US), Christian Scott and his sextet (US), Jen Shyu (US), James Shipp (US), Pascal Rollando and Philippe Guidat (France), and Aron Ottingnon Band (France), plus expatriate Australian Nadje Noordhuis on a visit from New York. There are many intriguing and alluring combinations, such as Jen Shyu with Simon Barker, Spiderbait’s Kram with James Morrison and Paul Grabowsky, Origami with Wang Zheng Ting, Digital Seed, and a gathering of old and new friends in Guidat/Rollando/Noordhuis/Shipp/Simmons/Hale.

The National Jazz Awards performances this year, featuring brass, will be held in WPAC Hall rather than St Patrick’s Hall before the finals in WPAC Theatre. The 10 semi-finalists are:

  • Thomas Avgenicos trumpet, NSW
  • Josh Bennier trombone, Victoria
  • Niran Dasika trumpet, Victoria
  • Simon Ferenci trumpet, NSW
  • James Macaulay trombone, Victoria
  • Ricki Malet trumpet, WA
  • Eamon McNelis trumpet, Victoria
  • Joe O’Connor trombone, Victoria
  • Alex Taylor trombone, SA
  • Patrick Thiele trumpet, Victoria

How great is it that pianist O’Connor has made it as a semi-finalist on ‘bone?

Friday

Friday night’s line-up will give hard-core patrons a chance to flex their concert-going muscles for the succeeding onslaughts on the next two days. Ease your way in at 6pm in WPAC Hall by joining Tony Gould, Mike Nock, Paul Williamson (on trumpet) and university students for the Monash Sessions. Then, at 7.30pm in WPAC Theatre there’ll be a welcome infusion of Scandinavian improvisation from Finland’s Kari Ikonen on piano, Olli Rantala on double bass, and Markku Ounaskari on drums. Expect many hues, innovative harmonies, strong melodies and striking rhythms, all played with lots of joy and passion.

New Orleans makes its presence felt in two concerts on Friday evening. At 8pm Jon Cleary will bring blues into the WPAC Theatre as he demonstrates his prowess at the piano emulating the likes of Tuts Washington, James Booker and Professor Longhair — the greats he found in his adopted home of New Orleans after migrating from Kent in 1980. At 10pm in that venue the strong New Orleans musical pedigree of Christian Scott will shine through as he demonstrates his trademark “whisper technique”, using warm air, which he perfected by emulating his mother’s singing voice.

In WPAC Hall earlier, at 9.30pm, My Name Is Nobody will feature Lucky Oceans, Ben Vanderwal and Tom O’Halloran in a set offering lush, cinematic and ambient sounds along with “a sonic break from a complicated, noisy world”. Bring it on.

Paul Williamson’s Hammond Combo will be at the Pinsent Hotel until midnight.

Saturday

Saturday, of course, will be another kettle of fish, with music beginning at 10.30am (National Jazz Awards, WPAC Hall) and running through until 1.30am Sunday (Jam session with Virus, Pinsent Hotel).

Be prepared for some full-on, head-to-head clashes — these are not merely overlapping concerts, so you’ll have some hard choices. Kari Ikonen Trio begins at 11am in WPAC Theatre for those who missed it or loved it on Friday. But at noon Nick Haywood Trio (St Pat’s Hall) is up against Mike Nock’s solo e-coustic set (Holy Trinity Cathedral).

Barney McAll’s much-loved ASIO are sure to be in Hi-Vis at 1pm in WPAC Theatre. Expect much talent and humour.

Then comes a seriously upsetting clash at 2pm. Experimental vocalist, dancer and multi-instrumentalist Jen Shyu will join the intense and brilliant Simon Barker at Holy Trinity — this has to be a highlight — while guitarist Robbie Melville’s five-piece, two-saxy ensemble plus visuals delivers inviting, eclectic contrasts in WPAC Hall as Cleverhorse. As if that choice isn’t tough enough, St Pat’s Hall features sextet Slipper, with Gemma Horbury on trumpet and Belinda Woods on flute, playing bassist Alastair Watts compositions. It’s all on from 2pm to 3pm.

There’s no clash at 3pm when Nadje Noordhuis reunites with James Shipp (vibes), Gian Slater (vocals) and Chris Hale (bass), joined by young guitarist Theo Carbo (not to be missed) in a WPAC Theatre concert backed by Martin Jackson’s Melbourne Jazz Co-operative.

But at 4pm the clashes are back. Choose Robbie Melville with reedsmen Gideon Brazil and Monty Mackenzie for “chamber jazz and contemporary classical” as Antelodic at Holy Trinity, or the muscular DRUB (Scott Tinkler, Simon Barker, Philip Rex, Carl Dewhurst). That’s a real tough one. Blues and boogie woogie pianist Bridie King is the third option at this time slot, in St Pat’s Hall.

There’s time for a quick bite now — must keep the energy levels up — before bassist Nick Tsiavos and his Liminal ensemble bring us brilliant discordance as the ancient becomes modern in a hypnotic synthesis of new minimalism (6pm, Holy Trinity). Many may stay at this, but others will be lured away to WPAC Theatre by 6.30pm, intrigued by the spectacle of Spiderbait’s Kram joining James Morrison and Paul Grabowsky. Anything could happen.

If you love Hammond organ — and who doesn’t if Tim Neal is at the keyboards — Jim Kelly’s Thrillseekers will perform at St Pat’s Hall at 7.15pm. And in WPAC Hall at 8pm Digital Seed includes last year’s National Jazz Awards winner Mike Rivett in a sextet that includes Matilda Abraham on vocals and utilises electronics and synthesisers.

New Zealand-born pianist Aron Ottignon, now a Parisian, has a fantasy in which each of his fingertips is a drumstick. He joins Samuel Dubois on steel pan and Kuba Gudz on drums in WPAC Theatre at 8.30pm, producing music that “combines the ambition of jazz with pop melodies, echoes of world music and electronic effects”. This trio will also close the festival — jam session aside — so this is a chance to decide whether it’s your cup of tea.

Virus will draw some patrons off to the Pinsent at 9pm. But at 9.15pm in St Pat’s Hall Philippe Guidat (guitar) and Nadje Noordhuis (trumpet), who met at an upstate New York Music Omi Artist Residency when Adam Simmons (woodwinds) was guest mentor, will join Pascal Rollando (percussion), James Shipp (vibes/percussion) and Chris Hale (bass). I reckon this could go in a few directions, all of them with great promise and possibly a little humour.

This festival has many not-so-hidden gems. One is DRUB (already mentioned) and another is the 10pm WPAC Hall encounter between Gian Slater, Barney McAll and Simon Barker.

But many will be drawn away to WPAC Theatre at 10pm to hear more of Christian Scott, along with extraordinary flautist Elena Pinderhughes, Shea Pierre on piano and Rhodes, Kris Funn on bass, Corey Fonville on drums and Logan Richardson on sax.

Pinsent Hotel jam session anyone? As mentioned, there is a lot of music on offer at this festival. And Sunday is another day.

Sunday

Day 3 will separate the sheep from the goats, the climate change deniers from the realists. This is when serious patrons awake, stretch, inhale deeply and head for double shots of coffee before another full day, and night, of live music. Keep in mind that it’s the musicians who are doing the heavy lifting here.

If you’re extra keen be at Holy Trinity at 10am for Bridie King & Gospel Belles. Brass fans will be in WPAC Hall for the National Jazz Awards playoffs from 10.30am, picking their three finalists before the judges get a say.

There are seriously great musicians at work in Wangaratta on Sunday, many of them home-grown artists.

After ensuring my hair is suitably coiffed I’ll be in WPAC Theatre with bells on at 11am to hear the Phil Slater Quintet play new compositions (how could anyone pass up Simon Barker, Matt McMahon, Matt Keegan, Brett Hirst?) and in St Pat’s Hall at noon for the Angela Davis Quartet. The talent just keeps coming at 1pm in WPAC Theatre when bassist Jonathan Swartz is joined by Barney McAll piano, Hamish Stuart drums, Julien Wilson sax, Phil Slater trumpet, James Greening trombone, Fabian Hevia percussion and Steve Magnusson guitar. And at 1.30pm multi-instrumentalist Adrian Sheriff may be weaving his magic at Holy Trinity, but there are no details on the festival website.

At 2pm don’t miss a chance to look into the future in St Pat’s Hall when bassist Isaac Gunnoo, drummer Maddison Carter and siblings Flora (saxophone) and Theo Carbo (guitar) demonstrate the talent on the scene from younger jazz musicians. And for a hit of vocals — there are not so many singers this year — Matilda Abraham will bring vulnerability and warmth to WPAC Hall at 2.30pm.

It’s relentless — wall to wall music with overlaps. At 3pm composer and bassist extraordinaire Sam Anning brings a feast of musicians to the WPAC Theatre stage: Andrea Keller piano, Mat Jodrell trumpet, Carl Mackey sax, Julien Wilson sax and Danny Fischer drums. In Holy Trinity Cathedral from 3.30pm James Shipp on vibes and Nadje Noordhuis on trumpet will celebrate the release of their Indigo album with help from Theo Carbo, Chris Hale and Gian Slater. And at 4pm in St Pat’s Hall, Belinda Woods on flutes will present compositional elements ranging from free improvisation to highly intricate structural forms in a sextet.

Tension is mounting at this point as the NJA finalists prepare to do battle at 5pm in WPAC Theatre, but If you have not yet caught a glimpse of Adam Simmons as performer rather than program team member, here’s your chance. From 4.30pm in WPAC Hall, Origami will present “Wu-Xing – The Five Elements” a new work by Adam inspired by the Ancient Chinese elements Wood (木 mù), Fire (火 huǒ), Earth (土 tǔ), Metal (金 jīn), and Water (水 shuǐ). This will feature Simmons on alto sax and bass clarinet, Howard Cairns on bass, Hugh Harvey on drums and Wang Zheng-Ting on sheng (Chinese mouth organ). It is a great pity this overlaps with the the NJA finals. Let’s hope it is performed elsewhere soon.

Around about 6pm there will be a NJA winner, so it’s time for a shot or three of coffee before Virus begins in St Pat’s Hall, followed at 7pm in WPAC Hall by Philippe Guidat on guitar and Pascal Rollando on percussion, who will draw on flamenco, Andalusian and Arabic music, Indian music in an acoustic set.

Then, at 8pm in WPAC Theatre, prepare to be mesmerised as multilingual vocalist, composer, producer, multi-instrumentalist and dancer Jen Shyu (US) opens her performance of Jade Tongue with Mother Cow’s Companion, one of three traditional folk songs in this work. She will be accompanied by Simon Barker drums, James Shipp vibraphone and Veronique Serret six-string violin for this outing, which is certain to be arresting.

In St Pat’s Hall Zac Hurren will be firing on all keys in a trio format from 8.30pm if you need an energy boost. At 9pm in WPAC Hall Lucky Oceans will head a quintet with Paul Williamson sax, Nick Haywood bass, Claire Anne Taylor voice and Konrad Park drums.

The final WPAC Theatre gig at 10pm will be the Aron Ottingon Trio, but if you are still firing on all cylinders and brim full of the buzz, the annual jam session at the Pinsent Hotel will be the place to put this Wang festival to bed. You can relax and savour the memories — all that hard listening has paid off.

ROGER MITCHELL

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LONG LOOK AT A SHORTER FESTIVAL

PREVIEW

Melbourne International Jazz Festival, June 3 – 12, 2016

Tomasz Stanko

Tomasz Stanko

SOME of the main drawcards at this year’s festival are well-known knowns — Wayne Shorter, Esperanza Spalding, Gary Bartz — but it’s a big program with plenty of other artists to be excited about.

Stats don’t put flesh on the bones, but over 10 days the festival will stage 74 events involving 335 artists (75 international and 260 Australian), 22 free events and heaps of club sessions at Bennetts Lane Jazz Club, Uptown Jazz Cafe and Dizzy’s Jazz Club. The larger venues will include Hamer Hall, Melbourne Recital Centre, Forum, Malthouse and The Channel at Arts Centre Melbourne.

On the final three days Riverside Bar at Southbank will host Hamer Jazz Bar each evening from 6pm as a rendezvous for festival patrons.

As usual, the main program is divided into Modern Masters, Explorations in Jazz and the three sets of Club Sessions, plus five Jazz Out West events, seven Close Encounters and two Artist Workshops at Monash University.

Gary Bartz

Gary Bartz

All good festivals come with a clash or two not emanating from a drum kit and MIJF 2016 opens with a big one. Our own flamboyant pianist and composer Barney McAll has had a hand in bringing jazz great Gary Bartz from the US to play Melbourne Recital Centre on opening night, with Andrea Keller’s Transients I as support.

This clashes head-on with PBS Young Elder of Jazz Commission winner Joe O’Connor on piano in a quartet at Bennetts Lane to perform Confrontations. In six dialogues, O’Connor’s work will balance “tonal and non-tonal harmony, regular and irregular rhythm, delicate lyricism and impressive density”. That sounds pretty damn interesting. These two gigs present a tough choice.

Esperanza Spalding

Esperanza Spalding

There’s no need to say a lot about Esperanza Spalding, who will play the Forum at 9.30pm on opening night, because she will draw crowds. Marcus J. Moore on Pitchfork described her album Emily’s D+Evolution thus: “Using a dissonant guitar riff, thumping drums, and lurching time signature, it almost feels like a dare to stick around. The album has the feel of a nervy gauntlet throw, seething with the sort of ferocity that only comes from time spent alone, far away from the limelight. These are exuberant, confrontational songs, amplified in the same sort of rock/funk hybrid style that brings Prince and Janelle Monae to mind. Gone is the Afro, replaced with long braids, wide-rimmed glasses, and ornate outfits.”

Wayne Shorter

Wayne Shorter

Wayne Shorter also needs no promotion. He plays Hamer Hall on the festival’s closing night with Danilo Perez on piano, John Patitucci on bass and Brian Blade on drums. Enough said, although I’m hoping for some longer bursts of saxophone magic from the great player than we heard at the Palais when he was last here.

Perez, Patitucci and Blade will play two gigs at Bennetts on Friday, June 10 as Children of the Light Trio. Surely this must be one not to miss.

While on the subject of bass players, Hawthorn luthier Benedict Puglisi is making acoustic bass instruments specifically for Spalding and Patitucci to play while they are here. That suggests his work is pretty special.

The international artists include some who were popular on previous visits to the festival. Genre-crossing Robert Glasper Trio (US), who performed in 2012, will return in an acoustic trio format with new album, Covered, on June 4 at MRC with Ross McHenry Trio supporting.

Mulatu Astatke

Mulatu Astatke (Image: Nick Pitsas)

And the “father of Ethio jazz” Mulatu Astatke (Ethiopia), who played the festival in 2010, will join the local band Black Jesus Experience at the Malthouse on Wednesday, June 8 to give the world premiere of The Cradle of Humanity.

Hiromi

Hiromi

Also returning is the pianist from Japan who sold out three shows in 2012, Hiromi. She who joins Simon Phillips on drums and Anthony Jackson on contra bass guitar at Hamer Hall on Thursday, June 9.

Tomasz Stanko

Tomasz Stanko (Image: Caroline Forbes)

And I don’t care what clashes with Polish trumpet maestro Tomasz Stańko‘s band featuring Alexi Tuomarila on piano, Slawomir Kurkiewicz on bass and Olavi Louhivuori on drums. I’ll be at one of their two Malthouse concerts on Thursday, June 9 at 6.30pm and 9pm.

Also at the Malthouse and not to be missed on Saturday, June 11, will be Stańko and Paul Grabowsky leading the Monash Art Ensemble at 6.30pm to explore the music of Krysztof Komeda, who scored Rosemary’s Baby and Knife in the Water. Not to be missed.

Latin jazz titan, pianist Eddie Palmieri (US) will spend five days with Monash University student musicians before their Jazz Futures performance at the MRC Salon on Thursday, June 9 at 6pm. Palmieri’s Latin Jazz Septet will set feet tapping at Hamer Hall on Friday, June 10 at 7.30pm.

Singer José James will pay tribute to the music of Billie Holiday in Yesterday I Had the Blues at Hamer Hall on Saturday, June 11 at 7.30pm.

And to complete the Modern Masters concerts, Vince Jones and Matt McMahon will join the Astral Orchestra to bring us Van Morrison’s Masterpieces at 7.30pm on Friday, June 10 at MRC.

Snarky Puppy

Snarky Puppy (Image: Philippe Levy Stab)

As part of the Explorations in Jazz series, guitarist Lionel Loueke (US) will join Sydney group The Vampires for two Bennetts Lane gigs on Saturday, June 4. And crowd-pleasers Snarky Puppy (US), who wowed crowds here in 2013, will be in the Forum at 9.30pm on Thursday, June 9.

The Coopers Malthouse has great beers on tap (I’m not paid to say that) and it may suit many to spend Friday, June 10 there to hear Stu Hunter‘s suite The Migration (a fantastic line-up) at 6.30pm and then Kristin Berardi Band (also a top line-up) at 9pm. You could not possibly go wrong with these two performances by Australian bands.

The Malthouse also hosts Peter Knight’s Way Out West on Saturday, June 11 at 9pm, featuring koto virtuoso Satsuki Odamura and Ray Pereira on fun and fiery African-influenced percussion. This gig will showcase new material and is sure to be a knockout.

And anyone who can remember the Chris Dave and the Drumhedz festival gig in 2014 should recall multi-reedist Marcus Strickland. Twi-Life is set to deliver soul, jazz-funk and R&B in two shows at Bennetts Lane on Saturday and Sunday, June 11 and 12, at 7.30pm and 10pm (they must be expecting a crowd — that’s four concerts).

If all that music’s not enough, there are club sessions. Can’t mention them all, but here are a few likely highlights.

Guitarist Paolo Angeli (Italy) will join local musicians at Bennetts Lane to bring us jazz influenced by Sardinian folk songs (June 3). He will also play solo guitar at Bluestone Church Arts Space in Hyde Street, Footscray at 4pm on Sunday, June 5. Westies must come out to this and other MIJF gigs at Dancing Dog Cafe (Wallace), Reverence Hotel (30/70 Collective) and Footscray Community Arts Centre (Jazz-a-Bye Baby).

Get close up and personal with Robert Glasper Trio at Bennetts on June 5. Hear a tribute to our maestro of Mondays and much besides, drummer Allan Browne, on June 6. If you fancy trumpah, as Scott Tinkler would put it, don’t miss Keyon Harrold and Twi-Life musicians in two gigs on June 8. And for fans of drummer Ari Hoenig, there are two gigs on June 9 at Bennetts featuring guitarist Quentin Angus and bassist Sam Anning.

Uptown Jazz Cafe has a ripper line-up of gigs during the festival. Don’t miss Mark Fitgzibbon Trio (June 3), Paul Williamson Quartet playing Monk (June 3), Andrea Keller’s Transients IV (June 4), Stephen Magnusson Trio (June 5), Ithaca Bound suite, music of the Allan Browne Quintet (June 6), Jamie Oehlers/Paul Grabowsky Quartet (June 9) and Sam Keevers’ Red Fish Blue (June 12). These and the other Uptown gigs are delivering seriously good jazz.

Dizzy’s Jazz Club in Richmond also has eight festival gigs, so look these up on the festival website.

Time’s almost up if I’m to post this as the embargo expires. Apologies for any errors. Other events of note include the free opening concert at Fed Square on June 4 at 1.30pm featuring Brazilian and Latin ensembles led by Alistair Kerr and Sam Keevers respectively.

Barney McAll is going to play about with the Federation Bells and anything could happen with that. Keep an ear out at noon on June 4 in Birrarung Marr.

And the Queen Vic market will groove to Los Cabrones on June 8 at 6pm to warm up the Winter Night Markets.

And at noon on Sunday, June 12, at The Channel, 100 St Kilda Rd, Southbank you may find out how many festival artistic directors it takes to change … well … a light globe, a set list, a door gig, a minor key … you name it.

ROGER MITCHELL

For further details and full program visit the festival website.

Note: Many images posted above are supplied by MIJF.

 

 

I DO LIKE MONDAYS

Stephen Byth

Stephen Byth on alto with Barney McAll’s Non Compliance Mondays

REFLECTION

Barney McAll Non Compliance Mondays, Bennetts Lane Jazz Club, Melbourne, 8pm on February 15, 22 and 29.

Mondays at Bennetts Lane were Allan Browne‘s night. He brought philosophy, poetry and humour to many evenings of wonderful music, ably assisted by many musician friends and colleagues. He also brought much warmth.

I’m no one will try to replace Al Browne, but a week ago on Monday evening it was a delight to see and heat pianist Barney McAll join a bunch of talented young musicians in two sets so full of life and fun that surely our much-missed occupant of the drum kit would have heartily approved.

In the youthful line-up with Barney was Paul Cornelius tenor, Stephen Byth alto, Chris Vizard trombone and Keiren Rafferty drums. Phillip Rex provided his usual exemplary input on bass.

I loved the vigour and enthusiasm, along with the obvious talent, of these young musicians. I was also impressed by McAll’s passion as their guide and mentor — he was attentive and eager to offer praise and to push members of the group to show their skills.

Above all, Barney McAll’s Non Compliance Mondays just seemed to be a natural fit for the start of the week, kicking us off with energy and propulsion. And lots of fun.

Tonight (February 15) the line-up includes Flora Carbo, Sam Anning and Luke Andresen.

After that, who knows? But we know they won’t be compliant.

ROGER MITCHELL

A few images below: